The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3
MacGibbon, David
Church architecture -- Scotland
The first view of the interior is striking and impressive. (Fig. 224.)
The long perspective of the great round pillars and arches on each side
of the nave, surmounted by the round arched triforium and clerestory,
and the lofty roof covered with simple vaulting, give an impression of
size and height which is larger than is borne out by after measurement.
This appearance of great size has often been remarked of St. Magnus’,
and, no doubt, arises from the height and length of the edifice as
compared with its width, which between the piers is only 17 feet, while
the length of the nave is 111 feet, and the height to the apex of the
vault is about 50 feet. The cathedral is found to be complete in all its
great divisions. (Fig. 225, Plan.)[166] The nave has side aisles, which
are vaulted, and the side walls are arcaded with interlacing Norman
arches. The choir is, unfortunately, excluded by a glass screen from the
general view of the cathedral, owing to the east end being still used as
the parish church. The choir is of considerable length, being 85 feet 6
inches long by 47 feet 6 inches wide, and has main piers, triforium, and
clerestory, of about the same height as the nave. It is also vaulted,
and has vaulted side aisles. The longitudinal section (Fig. 226) shows
the comparative heights of the nave and choir.
The transept is 90 feet long by 17 feet wide, and has a great appearance
of height, but is not vaulted. It has no aisles, but has a vaulted
chapel projected to the east from each division of the transept. Fig.
227 is a section through the transept from north to south.
The choir contains six bays, and the nave eight bays.
When the exterior is examined, it is found to present at a glance a
general history of the structure, and the changes which have taken place
in it. The layers and masses of the different coloured stones which have
been used in the edifice at different times tell their own tale. Fig.
228
[Illustration: FIG. 224.--Kirkwall Cathedral. The Nave, looking West.]
[Illustration: FIG. 225.--Kirkwall Cathedral. Ground Plan.]
shows the north elevation of the whole cathedral.[167] The oldest work
(which, however, comprises several periods) is constructed with dark
slaty stone, having red freestone dressings. This masonry comprises the
whole of the outer walls of the choir, the transept, and the greater
part of the nave. It is evident, however, that this style of masonry
includes not only much Norman work, with its round arches and flat
buttresses, but also some later work, which has pointed windows and
boldly-projected buttresses. The Norman work (Figs. 228 and 229) may be
observed in the transept, and several bays of the nave and choir nearest
the transept, while the pointed work is specially noticeable in the
eastern half of the choir.
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