The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3
MacGibbon, David
Church architecture -- Scotland
The main piers consist of a circular column, five feet in diameter, with
smaller attached half-columns on three sides to carry the moulded arches
between the main piers and the arches between the latter and the aisles.
The piers have caps of the usual Norman modified cushion pattern, and
the arches were moulded and arranged in several orders. The arcade
immediately over the main arches has a row of single round shafts, with
spreading Norman caps, which carry a series of moulded arches, occupying
the position of the triforium. The upper arcade, which takes the place
of the clerestory, has shafts of triple form, with wide-spreading bases
and caps of Norman and transition design. On the latter rest the round
boldly-moulded arches. The arches opposite the windows in the outer wall
are slightly larger than the others. It will be observed that there is
no main vaulting shaft carried up over the main piers, as is almost
invariably the case, for the purpose of strengthening the wall. On the
contrary, the triforium arcade is continuous, and no provision is made
to support the side wall, except the single shafts of the running
arcade, which have a very weak effect. In the usual arrangement the
triforium arches are separated by a substantial piece of wall, including
a vaulting shaft, and the triforium arch, which is generally subdivided
into several subordinate arches, is introduced between the vaulting
shafts.
That is a much more substantial form of construction, and also more
satisfactory to the eye, than the plan adopted here of a simple
continuous arcade.
[Illustration: FIG. 317.--Kelso Abbey. North End of Transept.]
The clerestory is designed on the same principle as the triforium, and
consists of a continuous arcade, without the interruption of the
vaulting shafts.
In the view of the exterior of this portion of the choir (Fig. 313), the
outside of the windows of the clerestory is visible, being simple
round-headed openings, with flat buttresses between them. The remainder
of the wall is plain, but, judging from the level of the triforium
window, the vaulting of the aisle, which was very high, and partly
covered the windows, seems to have been added at a later date. The choir
was 28 feet in width from centre to centre of the piers, only two of
which survive.
The crossing is square, and measures 28 feet from centre to centre of
the piers; but of these the north-east one is wanting. The piers are
about nine feet square, that at the south-east angle standing detached
in consequence of the opening into the south aisle, while those at the
north-west and south-west angles are incorporated with the walls.
Public-domain text, read in full here on John Shaqi.
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