The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3
MacGibbon, David
Church architecture -- Scotland
The destruction of the interior soon followed, and was hastened by the
action of the General Assembly, which, in 1640, empowered Gilbert Ross,
minister of Elgin, and others to break down the timber screen between
the nave and choir. Spalding states that the paintings on the rood
screen--the Crucifixion on the west side, illuminated with gold stars,
and the Day of Judgment on the east side--notwithstanding their exposure
for “seven score years,” were still in excellent preservation when the
demolition took place.
Next followed the destruction of the tracery of the great west window
and other features, which is believed to have been caused by Cromwell’s
troops in 1650-60.
By the end of the seventeenth century the double aisles of the nave seem
to have disappeared, as they are not shown in Slezer’s view (published
in 1693). But the chief catastrophe which overtook the edifice was the
fall of the central tower on Easter Sunday, 1711. It fell towards the
west, thus overwhelming in its ruin the nave and transepts, and causing
their complete destruction. The ruins thereafter became, as usual, the
quarry of the district, till, in 1807, by the exertions of Mr. King of
Elgin, a wall was built round the enclosure. In 1816 the Barons of
Exchequer took possession of the ruins, and appointed as keeper John
Shanks, who was an enthusiast in excavating and preserving any ancient
sculpture he could discover, and is said to have wheeled out over 3000
barrows of rubbish.
The enclosure which surrounded the precincts of the cathedral was of
considerable extent, and comprised within its bounds the houses of the
canons and the town house of the bishop. The former are now entirely
demolished and the latter is hastening to decay, a large portion having
recently fallen.[50] One gate of entrance to the precincts still
remains.
Whether we regard the extent and completeness of the arrangement of the
buildings or the beauty of the architecture, Elgin Cathedral, when
perfect, must have held a place in the first rank of our Scottish
ecclesiastical edifices. It was complete in all departments (Fig. 543),
having a large nave with double aisles, an extended choir and
presbytery, north and south transepts, a lady chapel, and a detached
octagonal chapter house. It also possessed a great tower and spire over
the
[Illustration: FIG. 543.--Elgin Cathedral. Plan.]
crossing, two noble towers at the west end, and two fine turrets at the
east end. Most of the existing portions had also the advantage of being
erected during the thirteenth century, at which period Scottish
architecture was at its best. Good examples of the Scottish decorated
period are also represented, and the testimony of ancient historians to
the beauty of the internal sculpture and decoration is well supported by
the fine fragments which still survive, of which a collection is formed
in the chapter house.
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