The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 3/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 3/3
MacGibbon, David
Church architecture -- Scotland
The transept consists of a north and south chapel, which are not exactly
opposite one another. They have square-headed windows in the north,
south, and east walls. Each chapel is entered from the nave by a moulded
and pointed arch (see Figs. 1300 and 1301) springing from responds. The
latter have both in their section and caps (Fig. 1302) a certain
resemblance to Norman work. As pointed out by Mr. Muir, the details
indicate the second pointed period, “though, as in the mouldings at
Iona, the adoption of forms resembling Norman and first pointed has
given to it an appearance of greater antiquity.”
[Illustration: FIG. 1303.--Priory Church of St. Clement. Monument in
Choir (East of South Transept).]
The monuments are the most remarkable features in the building. These
are three in number, two of them being placed against the south wall,
one in the choir and one in the nave (see Fig. 1300) on either side of
the arch leading into the south transept. The third monument is at the
south end of the south transept.
The monument in the choir is the most elaborate, being specially rich
in sculpture. Its form (Fig. 1303) is peculiar, having, in addition to
the usual recessed arch, a sloping gable-shaped moulding, which encloses
the design on top, and is continued perpendicularly down each side. The
space between the arch and the enclosing moulding is divided into nine
panels, each containing a distinct carving of figures. That in the apex
represents God the Father, holding between his knees a cross bearing a
figure of the Crucifixion. Each of the panels at the sides contains one
or two figures of angels waving censers, and saints holding scrolls. The
wall
[Illustration: FIG. 1304.--Priory Church of St. Clement. Effigy of
Alexander M‘Leod of Harris.]v
at the back of the arch is also divided into panels, containing
sculptures in three rows. In the upper row the panels comprise angels
censing with a star in the centre, and at each side an angel holding a
candle. In the central row the chief panel contains the Virgin and
Child, supported by a bishop or abbot on each side, one of whom holds a
skull. These figures are each enclosed in a Gothic canopy. The left
panel shows the faint outline of a castle, and that on the right a
galley (the M‘Leod arms). The third row exhibits several panels. That on
the
[Illustration: FIG. 1305.--Priory Church of St. Clement.
Effigy in South Transept.]
left is a hunting scene, a knight with sword and spear, followed by
attendants holding dogs in leash. The next panel contains three stags,
well carved. To the right of this is a panel representing an angel
holding up a pair of scales to weigh the souls of the departed, in which
process he is interfered with by a demon. A similar scene is carved on
one of the pier caps in the choir of Iona Cathedral (see Fig. 985).
To the right is a long panel containing the following inscription in
Gothic letters:--
Public-domain text, read in full here on John Shaqi.
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