Mr. Muir writes of this church as follows:[220]--“By the remains of a string course and other bits of minor detail at the east end, it would appear that the building has been originally of first pointed date, though perhaps still earlier features were destroyed at the various repairs which it underwent in modern times. One or two objects--The stump of a cross, and a small baptismal font of tapering form” (which seems to have now disappeared)--“were to all appearance Norman, and very likely, therefore, the earlier portion of the primitive structure was of twelfth century date.” The church was dedicated to St. Machutus, and belonged to the Priory of Whithorn. A ruined building of late date, with walls about 7 feet high, projects about 17 feet out from the south wall by about 23 feet in width outside measure. CHURCHES OF THE SIXTEENTH AND SEVENTEENTH CENTURIES. The ecclesiastical architecture of the mediæval period terminated at the introduction of the Reformation in 1560, but during the latter half of the sixteenth and the greater part of the seventeenth century a number of churches were erected which show some attempt to maintain or revive the style of earlier times. This tendency was doubtless encouraged by the strenuous effort which was made, under James I. and Charles I. and II., to establish the Episcopal forms of Church government and service in Scotland. These forms being contrary to the desire of the Presbyterians, who comprised the great body of the people, gave rise to two opposing parties. The party favourable to the Episcopal form of religion supported the erection of churches and the maintenance of the worship as nearly as possible after the old model, while the Presbyterians and Puritans discouraged everything which savoured of the ancient faith, whether in buildings or services. The result was that during the century which followed the Reformation there were two styles of ecclesiastical structures erected in the country, one style showing some reverence for the house of God in its form and decoration, and in the appropriateness of the divine service; while the other seemed to be designed, both in its buildings and forms of worship, to be as far removed as possible from any outward or visible sign of inward sweetness or grace. It is proposed to conclude this work with some examples of the different styles of churches erected during the above period. A number of specimens have already been given in a former work.[221] These churches were introduced into a work on the domestic architecture of the country, in order to illustrate the influence of the domestic style on the ecclesiastical architecture of this period. Many of these edifices were, therefore, only partially illustrated, and it has been thought desirable to treat some of them more fully in this book, so as to complete the illustration and description of their architecture.