Tired of looking on at society from the outside, Adams grew to loathe the sight of his Court dress; to groan at every announcement of a Court ball; and to dread every invitation to a formal dinner. The greatest social event gave not half the pleasure that one could buy for ten shillings at the opera when Patti sang Cherubino or Gretchen, and not a fourth of the education. Yet this was not the opinion of the best judges. Lothrop Motley, who stood among the very best, said to him early in his apprenticeship that the London dinner and the English country house were the perfection of human society. The young man meditated over it, uncertain of its meaning. Motley could not have thought the dinner itself perfect, since there was not then--outside of a few bankers or foreigners--a good cook or a good table in London, and nine out of ten of the dinners that Motley ate came from Gunter's, and all were alike. Every one, especially in young society, complained bitterly that Englishmen did not know a good dinner when they ate it, and could not order one if they were given carte blanche. Henry Adams was not a judge, and knew no more than they, but he heard the complaints, and he could not think that Motley meant to praise the English cuisine. Equally little could Motley have meant that dinners were good to look at. Nothing could be worse than the toilettes; nothing less artistic than the appearance of the company. One's eyes might be dazzled by family diamonds, but, if an American woman were present, she was sure to make comments about the way the jewels were worn. If there was a well-dressed lady at table, she was either an American or "fast." She attracted as much notice as though she were on the stage. No one could possibly admire an English dinner-table. Least of all did Motley mean that the taste or the manners were perfect. The manners of English society were notorious, and the taste was worse. Without exception every American woman rose in rebellion against English manners. In fact, the charm of London which made most impression on Americans was the violence of its contrasts; the extreme badness of the worst, making background for the distinction, refinement, or wit of a few, just as the extreme beauty of a few superb women was more effective against the plainness of the crowd. The result was mediaeval, and amusing; sometimes coarse to a degree that might have startled a roustabout, and sometimes courteous and considerate to a degree that suggested King Arthur's Round Table; but this artistic contrast was surely not the perfection that Motley had in his mind. He meant something scholarly, worldly, and modern; he was thinking of his own tastes.