Children -- Fiction; Fantasy fiction; Paranormal fiction
Jonah skipped about the room, waving his hideous creation in the air.
Toby, in her efforts to make a still better one, almost climbed into the
ink-stand. Nixie sat on the window-sill, dangling her legs and looking
on.
‘Very little ink does it,’ explained Paul, frightened at the results of
his instruction. ‘You needn’t pour it on! He works with the smallest
possible material, remember!’ His own fingers were no longer as spotless
as they might have been.
‘Look!’ shouted Jonah, standing on a chair and ignoring the rebuke.
‘There he goes—just like a black spider flying!’ He let his half-sheet
drop through the air, ink running down its side as it fell, while Toby
watched with the envy of despair.
Paul pounced upon the wriggling figure just in time to prevent further
funeral trappings. He turned it face downwards upon the blotting-paper.
‘Oh, oh!’ cried the children in the same breath; ‘it’s drank him up!’
‘Drunk him up,’ corrected Paul, relieved by the success of his manœuvre.
‘His feet touched the blotting-paper, you see.’
A pause followed.
‘You promised to tell us his song, please,’ observed Nixie from her
perch on the window-sill.
‘This is it, then,’ he answered, looking round at the smudged and solemn
faces, instantly grown still. ‘To judge by appearances you know this
Sprite better than I do!
I dance on your paper,
I hide in your pen,
I make in your ink-stand
My black little den;
And when you’re not looking
I hop on your nose,
And leave on your forehead
The marks of my toes.
When you’re trying to finish
Your “i” with a dot,
I slip down your finger
And make it a blot;
And when you’re so busy
To cross a big “T,”
I make on the paper
A little Black Sea.
I drink blotting-paper,
Eat penwiper-pie,
You never can catch me,
You never need try!
I hop _any_ distance,
I use _any_ ink!
I’m on to your fingers
Before you can wink.’
Paul’s back was to the door. He was in the act of making up a new verse,
and declaiming it, when he was aware that a change had come suddenly
over the room. It was manifest from the faces of the children. Their
attention had wandered; they were looking past him—beyond him.
And when he turned to discover the cause of the distraction he looked
straight into the grey eyes of a woman—grave-faced, with an expression
of strength and sweetness. As he did so the opening words of verse four
slipped out in spite of themselves:—
Public-domain text, read in full here on John Shaqi.
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