The Elementary Forms of the Religious LifeDurkheim, Émile
Religion
The Elementary Forms of the Religious Life
Durkheim, Émile
Cults; Religion; Religion -- Philosophy; Rites and ceremonies; Totemism
But even if the tattooings which are made by mutilations or scars do not
always have a totemic significance,[304] it is different with simple
designs drawn upon the body: they are generally representations of the
totem. It is true that the native does not carry them every day. When he
is occupied with purely economic occupations, or when the small family
groups scatter to hunt or fish, he does not bother with all this
paraphernalia, which is quite complicated. But when the clans unite to
live a common life and to assist at the religious ceremonies together,
then he must adorn himself. As we shall see, each of the ceremonies
concerns a particular totem, and in theory the rites which are connected
with a totem can be performed only by the men of that totem. Now those
who perform,[305] who take the part of officiants, and sometimes even
those who assist as spectators, always have designs representing the
totem on their bodies.[306] One of the principal rites of initiation, by
which a young man enters into the religious life of the tribe, consists
in painting the totemic symbol on his body.[307] It is true that among
the Arunta the design thus traced does not always and necessarily
represent the totem of the initiated;[308] but these are exceptions,
due, undoubtedly, to the disturbed state of the totemic organization of
this tribe.[309] Also, even among the Arunta, at the most solemn moment
of the initiation, which is its crown and consecration, when the
neophyte is allowed to enter the sanctuary where all the sacred objects
belonging to the clan are preserved, an emblematic painting is placed
upon him; this time, it is the totem of the young man which is thus
represented.[310] The bonds which unite the individual to his totem are
even so strong that in the tribes on the North-west coast of North
America, the emblem of the clan is painted not only upon the living but
also upon the dead: before a corpse is interred, they put the totemic
mark upon it.[311]
III
These totemic decorations enable us to see that the totem is not merely
a name and an emblem. It is in the course of the religious ceremonies
that they are employed; they are a part of the liturgy; so while the
totem is a collective label, it also has a religious character. In fact,
it is in connection with it, that things are classified as sacred or
profane. It is the very type of sacred thing.
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