The elements of characterWare, Mary G. (Mary Greene)
Philosophy
The elements of character
Ware, Mary G. (Mary Greene)
Character
Man, resting in thought or feeling, is at best a useless abstraction; he
becomes truly a man only when his thoughts and feelings come forth into
life, and impress themselves on outward things. If he fail to do this,
the rust of idleness eats into all his powers, till he becomes a useless
cumberer of the ground; the world loses, and heaven gains nothing when
this mortal puts on immortality. Such a being is dead while he lives--a
moral paralytic. His capacities are as seed cast upon a rock where there
is no earth.
God works incessantly. His eye knows no closing, his hand no weariness.
The universe was not only built by his power, but is sustained every
moment by his inflowing life. If he were to turn from it for a single
instant, all things would return to chaos. Man, created in the image and
likeness of God, resembles him most nearly when the life influent from
God which fills his soul, flows forth freely as it is given, quickening
with its powers all that comes within the influence of his sphere.
There is an old proverb that tells us, "Idleness is the devil's pillow";
and well may it be so esteemed, for no head ever rested long upon it,
but the lips of the evil spirit were at its ear, breathing falsehood and
temptation. The industrious man is seldom found guilty of a crime; for
he has no time to listen to the enticings of the wicked one, and he is
content with the enjoyments honest effort affords. It is the vicious
idler, vexed to see the fortunes of his industrious neighbor growing
while he is lounging and murmuring, who robs and murders that he may get
unlawful gain. It is the merry, thoughtless idler who, to relieve the
nothingness of his days, seeks the excitement of the wine-cup and the
gaming-table. It is the sensual idler, whose licentious ear is open to
the voice of the tempter as often as his track crosses the pathway of
youth and innocence.
Public-domain text, read in full here on John Shaqi.
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