Aristophanes -- Translations into English; Athens (Greece) -- Drama; Comedy plays; Greek drama (Comedy) -- Translations into English
The women of Athens, led by Lysistrata and supported by female delegates
from the other states of Hellas, determine to take matters into their own
hands and force the men to stop the War. They meet in solemn conclave,
and Lysistrata expounds her scheme, the rigorous application to husbands
and lovers of a self-denying ordinance--"we must refrain from the male
organ altogether." Every wife and mistress is to refuse all sexual
favours whatsoever, till the men have come to terms of peace. In cases
where the women _must_ yield 'par force majeure,' then it is to be with
an ill grace and in such a way as to afford the minimum of gratification
to their partner; they are to lie passive and take no more part in the
amorous game than they are absolutely obliged to. By these means
Lysistrata assures them they will very soon gain their end. "If we sit
indoors prettily dressed out in our best transparent silks and prettiest
gewgaws, and with our 'mottes' all nicely depilated, their tools will
stand up so stiff that they will be able to deny us nothing." Such is the
burden of her advice.
After no little demur, this plan of campaign is adopted, and the
assembled women take a solemn oath to observe the compact faithfully.
Meantime as a precautionary measure they seize the Acropolis, where the
State treasure is kept; the old men of the city assault the doors, but
are repulsed by "the terrible regiment" of women. Before long the device
of the bold Lysistrata proves entirely effective, Peace is concluded, and
the play ends with the hilarious festivities of the Athenian and Spartan
plenipotentiaries in celebration of the event.
This drama has a double Chorus--of women and of old men, and much
excellent fooling is got out of the fight for possession of the citadel
between the two hostile bands; while the broad jokes and decidedly
suggestive situations arising out of the general idea of the plot
outlined above may be "better imagined than described."
* * * * *
LYSISTRATA
DRAMATIS PERSONAE
LYSISTRATA.
CALONICÉ.
MYRRHINÉ.
LAMPITO.
STRATYLLIS.
A MAGISTRATE.
CINESIAS.
A CHILD.
HERALD OF THE LACEDAEMONIANS.
ENVOYS OF THE LACEDAEMONIANS.
POLYCHARIDES.
MARKET LOUNGERS.
A SERVANT.
AN ATHENIAN CITIZEN.
CHORUS OF OLD MEN.
CHORUS OF WOMEN.
SCENE: In a public square at Athens; afterwards before the gates of the
Acropolis, and finally within the precincts of the citadel.
* * * * *
LYSISTRATA
LYSISTRATA (_alone_). Ah! if only they had been invited to a Bacchic
revelling, or a feast of Pan or Aphrodité or Genetyllis,[390] why! the
streets would have been impassable for the thronging tambourines! Now
there's never a woman here-ah! except my neighbour Calonicé, whom I see
approaching yonder.... Good day, Calonicé.
CALONICÉ. Good day, Lysistrata; but pray, why this dark, forbidding face,
my dear? Believe me, you don't look a bit pretty with those black
lowering brows.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account