The Eliminator; or, Skeleton Keys to Sacerdotal SecretsWestbrook, Richard B. (Richard Brodhead)
Religion
The Eliminator; or, Skeleton Keys to Sacerdotal Secrets
Westbrook, Richard B. (Richard Brodhead)
Free thought
It is well understood among men of learning that the whole story of
Eden, the talking serpent, and the sinning woman is a myth, and that all
nations of sun-worshippers have had substantially the same legend, and
their priests, poets, and philosophers have not hesitated to acknowledge
among themselves its fabulous character. That early Jewish and Christian
writers freely admitted the allegorical character of the narrative
ascribed to Moses is well known. Maimonides, a learned Jewish rabbi,
said: “One ought not to understand nor take according to the letter that
which is written in the Book of the Creation, nor have the ideas
concerning it that most men have, otherwise our ancient sages would not
have recommended us to carefully conceal the sense of it, and on no
account to raise the allegorical veil which conceals the truth it
contains. Taken according to the letter, this work gives the most absurd
and extravagant idea of divinity. Whoever shall discover the true sense
of it ought to be careful not to divulge it.” Philo, the great Jewish
authority, took the same ground, and wrote mainly to show the
allegorical character of all the sacred books. Josephus held similar
views, and so did Papias and many of the early Christian Fathers. Origen
said: “What man of good sense will ever persuade himself that there was
a first, second, and a third day, and that these days had each their
morning and evening without the not-yet-existing sun, moon, and stars?
What man sufficiently simple to believe that God, acting the part of a
gardener, planted a garden in the East—that the ‘tree of life’ was a
real tree, evident to the senses, whose fruit had the virtue of
preserving life?” etc. St. Augustine held the same views as to the
allegorical character of the so-called Mosaic account of the creation
and fall, and so did Tertullian, Clement, and Ambrose. Some of the early
Christian authorities carried this idea of the allegorical character of
the Scriptures so far as to apply it to the Gospels themselves. “There
are things therein” (said Origen) “which, taken in their literal sense,
are mere falsities and lies;” and St. Gregory asserted of the letter of
Scripture that “it is not only dead, but deadly;” while Athanasius
admonished us that “should we understand Sacred Writ according to the
letter we should fall into the most enormous blasphemies.” It seems to
have been fully realized in early times that there was no rational way
to interpret Moses and his writings but upon the allegorical hypothesis.
As the Mosaic account of the creation and the fall of man is so
evidently the same story that was suggested to the Persians and other
nations by the astronomical phenomena, we are forced to the conclusion
that this is the only key to unlock the mysteries of the first three
chapters of Genesis. If the original story is known to have been founded
upon the ancient astrological religion, the substantial copy in our
Jewish Scriptures must have the same basis.
Public-domain text, read in full here on John Shaqi.
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