“The imagery of the Catacombs shows that the types there represented are not the ideal figures of the human reality. They are the sole reality of the centuries after the Christian era, because they had been in the centuries long before. The symbolism, the allegories, the figures, and types remained there just what they were to the Romans, Greeks, Persians, and Egyptians, The iconography of the Catacombs absolutely proves that the lay figure, as Christ, must have sat for the portraits of Osiris, Horus the child, Mithras, Bacchus, Aristæus, Apollo, Pan, the Good Shepherd. The lay figure or type is one all through. The portraits are manifold, yet they all mean the mythical Christ under whatsoever name. “The typical Christ, so far from being derived from the model man, has been made up from the features of many gods, after a fashion somewhat similar to those ‘pictorial averages’ portrayed by Mr. Galton, in which the characteristics of various persons are photographed and fused in a portrait—a composite likeness of twenty different persons merged in one that is not _anybody_. “It is pitiful to track the poor faithful gleaners who picked up every fallen fragment or scattered waif and stray of the mythos, and to watch how they treasured every trait and tint of the ideal Christ to make up the personal portrait of their own supposed real one. His mother, like the other forms of the queen of heaven, had the color of the _mater frugum_, the complexion of the golden corn; and a Greek Father of the eighth century cites an early tradition of the Christians concerning the _personnel_ of the Christ to the effect that in taking the form of Adam he assumed features exactly like those of the Virgin, and his face was of a _wheaten color_, like that of his mother. That is, he (the seed) was _corn-complexioned_, as was the mother of corn, like Flava Keres, Aurea Venus, the Golden Lakshmi, the Yellow Neitli; and the son was her seed, which in Egypt was the corn brought forth at the vernal equinox, and which was continued in the cult of Rome as the ‘bread-corn of the elect.’