The Eliminator; or, Skeleton Keys to Sacerdotal SecretsWestbrook, Richard B. (Richard Brodhead)
Religion
The Eliminator; or, Skeleton Keys to Sacerdotal Secrets
Westbrook, Richard B. (Richard Brodhead)
Free thought
The very fact that all the apparently historic events in the life of
Jesus have an astrological and metaphoric character lifts him out of the
category of physical humanity into that of the ideal. We may relegate
him thither, and yet leave no vacant place in the arena of common life.
This would be in perfect keeping with ancient usage. Among the reputed
founders of philosophic systems we have no evidence of the existence of
such great teachers as Manu, Kapila, Vyasa, Kanada, or Gotama, and the
founding of the principal commonwealths was ascribed to demigods and
fictitious eponymous heroes. Rome, Athens, Sparta, Thebes, and indeed
every ancient city of note, was said to be established after that
manner. Even leaders and teachers actually existing have been disguised
by myth or the characteristics of the doctrine which they taught.
Confucius and Zoroaster are hidden from view by the character assigned
to them by later writers. Even Socrates as he appears and speaks in the
Platonic _Dialogues_ is little else than a personification of the
Academic philosophy. When we consider that he is closely assimilated to
the sages and hero-gods of the other worships, and that every
significant point in his history conforms to astrological periods and to
similar characteristics in the pagan religions, we cannot well avoid the
conclusion that he too is an _ideal_.
Mr. William Oxley of England, in his great work on Egypt, takes the
ground that the account we have of Jesus in the Gospels is substantially
drawn from Egyptian sources.
Amenoph III. was one of the greatest of the old Egyptian kings. Amongst
other gigantic works, he built the temple at Luxor, much of which is
buried in sand and covered over by native houses. It is on the walls of
this temple that very remarkable sculptures are portrayed relating to
the birth, etc. of Amenoph III.; they are on the inner wall of the
sacred shrine, the holy of holies, and the sculptured scenes represent
the annunciation, the conception, the incarnation, birth, and adoration
of the divine man-child (Amenoph III.) born from Mut-em-Sa. The two
latter syllables mean “the Alone,” or Only One, and the whole title
means “the mother who gave birth to the Only One.”
One fact is established beyond all cavil, and that is that the New
Testament is the product of an order of men well versed in astronomy,
and who by the aid of that science produced, on lines laid down by the
ancient Egyptian hierophants, a new version of the old myths and
allegories. We have as a fact the actual names and dates plagiarized
from an Egypto-Arabic source, which undoubtedly betrays its origin, and
the interpretation of this, and numberless instances besides, in strict
accordance with the astrological formula and system, with its
Graeco-Egyptian zodiacal pictorial representations.
Public-domain text, read in full here on John Shaqi.
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