“I am rather proud of having found that out, Paillot. Tradition should
always be taken into account. But when we own Queen Marguerite’s house,
we will furbish up the memory of that good Philippe Tricouillard a
little.”
Hard upon this declaration Dr. Fornerol entered the shop with the
wonted impetuosity of that indefatigable visitor of the sick, who
brought with him hope and comfort. Gustave Fornerol was a fat,
moustachioed man. Possessed in his wife’s right of a small country
estate, he affected the fashions of a country proprietor and paid
his visits in a soft hat, a hunting waistcoat and leather leggings.
Although his practice was exclusively among the lower middle class and
the rural population of the suburbs, he was considered the most skilful
practitioner in the town.
Friendly with Paillot, as with all his fellow-townsmen, he was not in
the habit of paying useless visits to him, nor of wasting his time
gossiping in the shop. This time, however, he sank down on one of the
three rush-bottomed chairs which, set in the old-book corner, had
gained for Paillot’s shop the reputation for a hospitality at once
literary, learned, cultured, and academic.
He puffed, waved a good-day to Paillot with his hand, bowed with some
deference to M. de Terremondre, and said:
“I am tired. … Well! Paillot, were you pleased with the show yesterday?
What did Madame Paillot think of the play and the actors?”
The bookseller did not commit himself. He considered that it is wise
for a tradesman to express no opinions in his shop. Besides, he went to
the theatre only _en famille_, and that but seldom. But Dr. Fornerol,
whose position as medical officer to the theatre procured him free
passes, never missed a performance.
A travelling company had given _la Maréchale_ the night before, with
Pauline Giry in the leading part.
“She is always capital, is Pauline Giry,” said the doctor.
“That’s the general opinion,” said the bookseller.
“She isn’t as young as she once was,” said M. de Terremondre, who was
turning over the leaves of volume xxxviii. of _l’Histoire Générale des
Voyages_.
“By Jove, no!” answered the doctor. “You know that Giry isn’t her real
name?”
“Her real name is Girou,” answered M. de Terremondre authoritatively.
“I knew her mother, Clémence Girou. Fifteen years ago Pauline Giry was
dark and very pretty.”
And the three of them, in the old-book corner, set to work to reckon
the actress’s age. But as they were calculating from doubtful or
incorrect data, they only reached contradictory, or sometimes even
absurd, conclusions, and with these they were by no means satisfied.
Public-domain text, read in full here on John Shaqi.
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