Cecily did think of it, long and anxiously. Thanks to Elgar, her
meditations had a dark background such as her own fancy would never
have supplied.
He knew not how sadly the image of him had been blurred in Cecily's
mind, the man who lay that night in his room overlooking the port.
Whether such ignorance were for his aid or his disadvantage, who shall
venture to say?
To a certain point, we may follow with philosophic curiosity, step by
step, the progress of mental anguish, but when that point is passed,
analysis loses its interest; the vocabulary of pain has exhausted
itself, the phenomena already noted do but repeat themselves with more
rapidity, with more intensity--detail is lost in the mere sense of
throes. Perchance the mind is capable of suffering worse than the
fiercest pangs of hopeless love combined with jealousy; one would not
pretend to put a limit to the possibilities of human woe; but for
Mallard, at all events this night did the black flood of misery reach
high-water mark.
What joy in the world that does not represent a counter-balance of
sorrow? What blessedness poured upon one head but some other must
therefore lie down under malediction? We know that with the uttermost
of happiness there is wont to come a sudden blending of troublous
humour. May it not be that the soul has conceived a subtle sympathy
with that hapless one but for whose sacrifice its own elation were
impossible?
CHAPTER XIII
ECHO AND PRELUDE
At Villa Sannazaro, the posture of affairs was already understood. When
Eleanor Spence, casually calling at the _pension_, found that Cecily
was unable to receive visitors, she at the same time learnt from Mrs.
Lessingham to what this seclusion was due. The ladies had a singular
little conversation, for Eleanor was inwardly so amused at this speedy
practical comment on Mrs. Lessingham's utterances of the other day,
that with difficulty she kept her countenance; while Mrs. Lessingham
herself, impelled to make the admission without delay, that she might
exhibit a philosophic acceptance of fact, had much ado to hide her
chagrin beneath the show of half-cynical frankness that became a woman
of the world. Eleanor--passably roguish within the limits of becoming
mirth--acted the scene to her husband, who laughed shamelessly. Then
came explanations between Eleanor and Miriam.
The following day passed without news, but on the morning after, Miriam
had a letter from Cecily; not a long letter, nor very effusive, but
telling all that was to be told. And it ended with a promise that
Cecily would come to the villa that afternoon. This was communicated to
Eleanor.
"Where's Mallard, I wonder?" said Spence, when his wife came to talk to
him. "Not, I suspect, at the old quarters, It would be like him to go
off somewhere without a word. Confound that fellow Elgar!"
"I'm half disposed to think that it serves Mr. Mallard right," was
Eleanor's remark.
"Well, for heartlessness commend me to a comfortable woman."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account