This letter also was discussed, and its philosophy appreciated. Mallard
spoke little; he had clasped his hands behind his head, and listened
musingly.
There was no effusion in the leave-taking, though it might be for a
long time. Warm clasping of hands, but little said.
"A good-bye for me to Mrs. Baske," was Mallard's last word.
And his haggard but composed face turned from Villa Sannazaro.
PART II.
CHAPTER I
A CORNER OF SOCIETY
In a London drawing-room, where the murmur of urbane colloquy rose and
fell, broken occasionally by the voice of the nomenclator announcing
new arrivals, two ladies, seated in a recess, were exchanging
confidences. One was a novelist of more ability than repute; the other
was a weekly authority on musical performances.
"Her head is getting turned, poor girl. I feel sorry for her."
"Such ridiculous flattery! And really it is difficult to understand.
She is pretty, and speaks French; neither the one thing nor the other
is uncommon, I believe. Do you see anything remarkable in her?"
"Well, she is rather more than pretty; and there's a certain cleverness
in her talk. But at her age this kind of thing is ruinous. I blame Mrs.
Lessingham. She should bid her stay at home and mind her baby."
"By-the-bye, what truth is there in that story? The Naples affair, you
know?"
"_N'en sais rien_. But I hear odd things about her husband. Mr.
Bickerdike knew him a few years ago. He ran through a fortune, and fell
into most disreputable ways of life. Somebody was saying that he got
his living as 'bus-conductor, or something of the kind."
"I could imagine that, from the look of him."
It was Mrs. Lessingham's Wednesday evening. The house at Craven Hill
opened its doors at ten o'clock, and until midnight there was no lack
of company. Singular people, more or less; distinguished from society
proper by the fact that all had a modicum of brains. Some came from
luxurious homes, some from garrets. Visitors from Paris were frequent;
their presence made a characteristic of the salon. This evening, for
instance, honour was paid by the hostess to M. _Amedeee_ Silvenoire,
whose experiment in unromantic drama had not long ago gloriously failed
at the Odeon; and Madame Jacquelin, the violinist, was looked for.
Public-domain text, read in full here on John Shaqi.
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