"You are not under the impression," he said, with a smile, as they
walked side by side, "that the Old Testament is responsible for those
horrors we have just been speaking of?"
"They are in _that_ spirit. My reading of the New omits everything of
the kind."
"So does mine. But we have no justification."
"We can select what is useful to us, and reject what does harm."
"Yes; but then--"
He did not finish the sentence, and they went into the pictured Loggia.
Here, choosing out his favourites, Mallard endeavoured to explain all
his joy in them. He showed her how it was Hebrew history made into a
series of exquisite and touching legends; he dwelt on the sweet,
idyllic treatment, the lovely landscape, the tender idealism
throughout, the perfect adaptedness of gem-like colouring.
Miriam endeavoured to see with his eyes, but did not pretend to be
wholly successful. The very names were discordant to her ear.
"I will buy some photographs of them to take away," she said.
"Don't do that; they are useless. Colour and design are here
inseparable."
They stayed not more than half an hour; then left the Vatican together,
and walked to the front of St. Peter's in silence. Mallard looked at
his watch.
"You are going back to the hotel?"
"I suppose so."
"Shall I call one of those carriages?--I am going to have a walk on to
the Janiculum."
She glanced at the sky.
"There will be a fine view to-day."
"You wouldn't care to come so far?"
"Yes, I should enjoy the walk."
"To walk? It would tire you too much."
"Oh no!" replied Miriam, looking away and smiling. "You mustn't think I
am what I was that winter at Naples. I can walk a good many miles, and
only feel better for it."
Her tone amused him, for it became something like that of a child in
self-defence when accused of some childlike incapacity.
"Then let us go, by all means."
They turned into the Borgo San Spirito, and then went by the quiet
Longara. Mallard soon found that it was necessary to moderate his
swinging stride. He was not in the habit of walking with ladies, and he
felt ashamed of himself when a glance told him that his companion was
put to overmuch exertion. The glance led him to observe Miriam's gait;
its grace and refinement gave him a sudden sensation of keen pleasure.
He thought, without wishing to do so, of Cecily; her matchless,
maidenly charm in movement was something of quite another kind. Mrs.
Baske trod the common earth, yet with, it seemed to him, a dignity that
distinguished her from ordinary women.
There had been silence for a long time. They were alike in the custom
of forgetting what had last been said, or how long since.
"Do you care for sculpture?" Mallard asked, led to the inquiry by his
thoughts of form and motion.
"Yes; but not so much as for painting."
He noticed a reluctance in her voice, and for a moment was quite
unconscious of the reason for it. But reflection quickly explained her
slight embarrassment.
Public-domain text, read in full here on John Shaqi.
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