"To be sure; it is for people who have already helped themselves," said
Cecily, in a jesting tone.
Miriam turned to another subject, and very soon said good night.
Reflecting on the conversation, she was annoyed with herself for having
been led by her familiar weakness to admit that she had changed her way
of thinking. Certainly she had no intention of disguising the fact, but
this explicit confession had seemed to make her Cecily's inferior; she
was like a school-girl claiming recognition of progress.
The next morning Mallard called. He came into a room where Mrs.
Lessingham, Eleanor, and Miriam were waiting for Cecily to join them,
that all might go out together. Miriam had never seen him behave with
such ease of manner. He was in good spirits, and talked with a facility
most unusual in him. Mrs. Lessingham said she would go and see why
Cecily delayed; Eleanor also made an excuse for leaving the room. But
Miriam remained, standing by the window and looking into the street;
Mallard stood near her, but did not speak. The silence lasted for a
minute or two; then Cecily entered, and at once the artist greeted her
with warm friendliness. Miriam had turned, but did not regard the pair
directly; her eye caught their reflection in a mirror, and she watched
them closely without seeming to do so. Cecily had made her appearance
with a face of pleased anticipation; she looked for the first moment
with much earnestness at her old friend, and when she spoke to him it
was with the unmistakable accent of emotion. Mallard was gentle,
reverent; he held her hand a little longer than was necessary, but his
eyes quickly fell from her countenance.
"Your husband is well?" he asked in a full, steady voice.
They seated themselves, and Miriam again turned to the window. Cecily's
voice made a jarring upon her ear; it was so much sweeter and more
youthful, so much more like the voice of Cecily Doran, than when it
addressed other people. Mallard, too, continued in a soft, pleasant
tone, quite different from his usual speech; Miriam thrilled with
irritation as she heard him.
"They have told me of the picture you painted at Paestum. When may Mrs.
Lessingham and I come and see it?"
"I haven't a place in which I could receive you. I'll bring the thing
here, whenever you like."
Miriam moved. She wished to leave the room, but could not decide
herself to do so. In the same moment Mallard glanced round at her. She
interpreted his look as one of impatience, and at once said to Cecily:
"I think I'll change my mind, and write some letters this morning.
Perhaps you could persuade Mr. Mallard to take my place for the drive."
"Oh!" exclaimed Cecily, with a laugh, "I'm quite sure Mr. Mallard has
no desire to go to the English cemetery." She added in explanation, to
Mallard himself, "My aunt has promised to visit a certain grave, and
copy the inscription for a friend at Florence."
Public-domain text, read in full here on John Shaqi.
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