Her chief solace was in the society of Mrs. Spence. Formerly she had
not been prepared for appreciating Eleanor, but now she felt the
beauties of that calm, self-reliant character, rich in a mode of
happiness which it seemed impossible for herself ever to attain.
Fortune had been Eleanor's friend. Disillusion had come to her only in
the form of beneficent wisdom; no dolorous dead leaves rustled about
her feet and clogged her walk. Happy even in the fact that she had
never been a mother. She was a free woman; free in the love of her
husband, free in the pursuit of knowledge and the cultivation of all
her tastes. She had outlived passion without mourning it; what greater
happiness than that can a woman expect? Cecily had once believed that
life was to be all passion, or a failure. She understood now that there
was a middle path. But against her it was closed.
In a few days she could talk with Eleanor even of bygone things in a
perfectly simple tone, without danger of betraying the thoughts she
must keep secret. One such conversation reminded her of something she
had learnt shortly before she left London.
"Do you remember," she asked, "a family named Denyer, who were at Mrs.
Gluck's?"
Eleanor recollected the name, and the characteristics attached to it.
"An acquaintance of mine who has rooms at Hampstead happened to speak
of the people she is with, and it surprised me to discover that they
were those very Denyers. One of the daughters is paralyzed, poor girl;
I was shocked to remember her, and think of her visited by such a fate.
I believe she was to have married that artist, Mr. Marsh, who gave Mr.
Bradshaw so much amusement. And the eldest--"
She broke off to inquire why Eleanor had looked at her so expressively.
"I'll tell you when you have finished your story. What of the eldest?"
"She has recently married Mr. Musselwhite, who was also one of our old
acquaintances. Mrs. Travis--the lady who tells me all this--says that
Mrs. Denyer is overjoyed at this marriage, for Mr. Musselwhite is the
brother of a baronet!"
"Very satisfactory indeed. Well, now for Mr. Marsh. Edward heard from
Mr. Bradshaw when we were in Sicily, and this young gentleman had a
great part in the letter. It seems he has long abandoned his artistic
career, and gone into commerce."
"That most superior young man? But I remember something about that."
"His business takes him often to Manchester, and he has been
cultivating the acquaintance of the Bradshaws. And now there is an
engagement between him and their eldest daughter."
"Charlotte? What a queer thing to happen! Isn't she about my age?"
"Yes; and, if she fulfils her promise, one of the plainest girls in
existence. Her father jokes about the affair, but evidently doesn't
disapprove."
Public-domain text, read in full here on John Shaqi.
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