Yet she was as far as ever from projecting escape. The unjust law was
still a law, and irresistible. Had it been her case that she loved some
other man, and his return of love claimed her, then indeed she might
dare anything and break her chains. But the power of love seemed as
dead in her as the passion she had once, and only once, conceived. She
was utterly alone.
Morning and noon went by. She had exhausted herself with ceaseless
movement, and now for two or three hours lay on a couch as if asleep.
The fever burned upon her forhead and in her breath.
But at length endurance reached its limits. As she lay still, a thought
had taken possession of her--at first rejected again and again, but
always returning, and with more tempting persistency. She could not
begin another night without having spoken to some one. She seemed to
have been foresaken for days; there was no knowing how long she might
live here in solitude. When it was nearly five o'clock, she went to her
bedroom and prepared for going out.
When ready, she met the servant who was bringing up tea.
"I shall not want it," she said. "And probably I shall not dine at
home. Nothing need be prepared."
She entered the library, and took up from the writing-table Mallard's
note; she looked at the address that was on it.
Then she left the house, and summoned the first vacant cab.
CHAPTER XIII
ONWARD TO THE VAGUE
The cab drew up in a quiet road in Chelsea, by a gateway opening into a
yard. Cecily alighted and paid the driver.
"Be good enough to wait a minute or two," she said. "I may need you
again at once. But if I am longer, I shall not be coming."
Entering the yard, she came in front of a row of studios; on the door
of each was the tenant's name, and she easily discovered that of Ross
Mallard. This door was half open; she looked in and saw a flight of
stairs. Having ascended these, she came to another door, which was
closed. Here her purpose seemed to falter; she looked back, and held
her hand for a moment against her cheek. But at length she knocked.
There was no answer. She knocked again, more loudly, leaning forward to
listen; and this time there came a distant shout for reply.
Interpreting it as summons to enter, she turned the handle; the door
opened, and she stepped into a little ante-chamber. From a room within
came another shout, now intelligible.
"Who's there?"
She advanced, raised a curtain, and found herself in the studio, but
hidden behind some large canvases. There was a sound of some one
moving, and when she had taken another step, Mallard himself, pipe in
mouth, came face to face with her. With a startled look, he took the
pipe from his lips, and stood regarding her; she met his gaze with the
same involuntary steadiness.
"Are you alone, Mr. Mallard?" fell at length from her.
"Yes. Come and sit down."
Public-domain text, read in full here on John Shaqi.
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