The Emblems of Fidelity: A Comedy in LettersAllen, James Lane
General
The Emblems of Fidelity: A Comedy in Letters
Allen, James Lane
Authors -- Fiction; Epistolary fiction; Manners and customs -- Fiction
Someone--I shall not say who--had sent me some flowers during the
day. I took them down with me, as I often do. I think that
Beverley, on account of his preoccupation, did not at first notice
that I had brought any flowers; he remained unaware, I feel sure,
that I placed the vase on the table near which we sat. But a few
minutes later he caught sight of them--a handful of roses of the
colour of the wild-rose, with some white spray and a few ferns.
When his eyes fell upon the ferns our conversation snapped like a
thread. Painful silence followed. The look with which one
recognises some object that persistently annoys came into his eyes:
it was the identical expression I had already remarked when he was
gazing as on vacancy. He continued absorbed, disregardful of my
presence, until his silence became discourteous. My inquiry for the
reason of his strange action was evaded by a slight laugh.
This evasion irritated me still more. You know I never trust or
respect people who gloss. His rejoinder was gloss. He was taking it
for granted that having exposed to me something he preferred to
conceal, he would receive my aid to cover this up: I was to join him
in the ceremony of gloss.
As a sign of my displeasure I carried the flowers across the room to
the mantelpiece.
But the gaiety and carelessness of the evening were gone. When two
people have known each other long and intimately, nothing so quickly
separates them as the discovery by one that just beneath the surface
of their intercourse the other keeps something hidden. The
carelessness of the evening was gone, a sense of restraint followed
which each of us recognised by periods of silence. To escape from
this I soon afterward for a moment went up to my room.
I now come to the incident which explains why I think my letter
should be sent to Ben Doolittle.
As I re-entered the parlours Beverley was standing before the vase of
flowers on the mantelpiece. His back was turned toward me. He did
not see me or hear me. I was about to speak when I discovered that
he was muttering to himself and making gestures at the ferns.
Fragments of expression straggled from him and the names of strange
people. I shall not undertake to write down his incoherent
mutterings, yet such was the stimulation of my memory due to shock
that I recall many of these.
You ought to know by this time that I am by nature fearless; yet
something swifter and stranger than fear took possession of me and I
slipped from the parlours and ran half-way up the stairs. Then, with
a stronger dread of what otherwise might happen, I returned.
Beverley was sitting where I had left him when I quitted the parlours
first. He had the air of merely expecting my re-entrance. I think
this is what shocked me most: that he could play two parts with such
ready concealment, successful cunning.
Public-domain text, read in full here on John Shaqi.
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