Little by little, however, Irene let herself be drawn into the whirl of Italian social life. Italian society is one of the most interesting and delightful societies in the world. It is indeed impossible not to love these charming, sympathetic, gay, splendidly accomplished and witty Southerners. What a difference between their sparkling and brilliant receptions, and the dull, heavy entertainments of Petrograd! Nowhere in Rome did Irene meet those gloomy, silent figures that wander forlornly about Petrograd drawing-rooms, only waiting for supper. They do not exist in Italy, neither does the supper. At the most brilliant receptions, there is never more than one table for light refreshments, tea, ices, wines, lemonade. Most of the guests, however, never even approach this table, but prefer, on returning home, to drink a glass of cold water, of the purity of which Romans are prouder than of the Colosseum or the Forum. They go to receptions, not for the sake of eating and drinking, but rather for laughter and flirtation and brilliant conversation. At almost every social gathering there is music and recitation. Everybody recites: poets, poetesses, and ordinary mortals. The Italian language, especially as spoken in Rome, is so musical that the recitations give pleasure even to foreigners who do not understand their meaning. There is great variety in this fashionable art. An old poet rises, requests that most of the lights may be extinguished, takes an effective attitude, and begins, with theatrical intensity, to raise and to lower his voice, rather, indeed, to sing than to speak. He is listened to with attention, but the younger generation smiles: “The old school,” it whispers disdainfully. He is followed by a young representative of modern ideas, a North Italian poetess, on a visit to Rome. She is dressed in decadent green draperies (that suit her perfectly, by the way!), and to the accompaniment of angular, decadent gestures, she begins to recite her lines, simply, and in a natural voice. The simplicity is studied, to the point of becoming almost a mannerism. The young people, however, are delighted, especially the men, who gaze with undisguised pleasure at the beautiful poetess. But suddenly there steps into the centre of the room a young girl amateur, the daughter of a Roman prefect. She recites some verses by d’Annunzio. This is neither the old nor the new school, but simply a burning young Italian soul, and the charming, unaffected sincerity of her art is rewarded by storms of applause. To singing or piano-playing Italians listen with even still greater attention. No one talks, but each listener seems lost in rapture. No one who can perform hesitates or affectedly waits to be asked half a dozen times; on the contrary, everyone is burning to show off his talent. They enjoy their own performances, and, inspired by the almost religious attention of their hearers, sing more gloriously than would ever be possible in the chilly North.