The Emigrants Of Ahadarra: The Works of William Carleton, Volume TwoCarleton, William
General
The Emigrants Of Ahadarra: The Works of William Carleton, Volume Two
Carleton, William
Ireland -- Social life and customs -- Fiction
On the second day after his discovery he was unable to rise at all; but,
as before, he complained of nothing, neither were his spirits depressed.
On the contrary they were rather agitated--sometimes into cheerfulness,
but more frequently into an expression of sorrow and lamentation, which
were, however, blended with old by-gone memories that were peculiarly
reflecting to those who heard them. In this way he went on, sinking
gradually until the day previous to the auction. On that morning, to
their surprise, he appeared to have absolutely regained new strength,
and to have been gifted with something like renovated power of speech.
“I want to get up,” said he, “and it's only Tom an' Dora that I'll allow
to help me. You're all good, an' wor always good to grandfather, but Tom
was my best son, and signs on it--everything thruv wid him, an' God will
prosper an' bless him. Where's Dora?”
“Here, grandfather.”
“Ay, that's the voice above all o' them that went like music to my
heart; but well I know, and always did, who you have that voice from;
ay, an' I know whose eyes--an' it's them that's the lovely eyes--Dora
has. Isn't the day fine, Dora?”
“It is, grandfather, a beautiful day.”
“Ay, thank God. Well then I want to go out till I look--take one look at
the ould places; for somehow I think my heart was never so much in them
as now.”
It is impossible to say how or why the feeling prevailed, but the fact
was, that the whole family were impressed with a conviction that this
partial and sudden restoration of his powers was merely what is termed
the lightening before death, and the consequence was, that every word he
spoke occasioned their grief, for the loss of the venerable and virtuous
patriarch, to break out with greater force. When he was dressed he
called Dora to aid her father in bringing him out, which she did with
streaming eyes and sobbings that she could scarcely restrain. After
having reached a little green eminence that commanded a glorious view of
the rich country beneath and around them, he called for his chair; “an',
Bryan,” said he, “the manly and honest-hearted, do you bring it to me.
A blessin' will follow you, Bryan--a blessin' will follow my manly
grandson, that I often had a proud heart out of. An'; Bryan,” he
proceeded, when the latter had returned with the chair and placed him
in it, “listen, Bryan--when you and Kathleen Cavanagh's married--but I
needn't say it--where was there one of your name to do an unmanly thing
in that respect?--but when you and Kathleen's married, be to her as your
own father was to her that's gone--ever and always kind and lovin',
an' what your grandfather that's now spaking to you, maybe for the last
time, was to her that's long, long an angel in heaven--my own Peggy
Slevin--but it's the Irish sound of it I like--Peggy Na Laveen. Bring
them all out here--but what is this?--why are you all cryin'? Sure;
there's nothing wrong--an' why do you cry?”
Public-domain text, read in full here on John Shaqi.
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