Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English; Hadrian, Emperor of Rome, 76-138 -- Fiction
“And, let us hope, the grandson of his learned teacher also,” answered
Balbilla, with a kindly farewell greeting, as she went with her
companion towards the door of the hall of the Muses, where her slaves
were waiting. Pontius escorted her so far in silence, then he returned
to the work-place, and safely wrapped the caricature up again in its
cloths.
As he went out into the hall again, Pollux hurried up to meet him,
exclaiming:
“The Roman architect wants to speak to you, he is a grand man!”
“Balbilla was called away, and bid me greet you,” replied Pontius. “Take
that thing away for fear she should see it. It is coarse and hideous.”
A few moments later he stood in the presence of the Emperor, who
expressed the wish to play the part of listener while Balbilla was
sitting. When the architect, after begging him not to let Pollux know of
the incident, told him of what had occurred in the screened-off studio,
and how angry the young Roman lady had been at the caricature, which
was certainly very offensive, Hadrian rubbed his hands and laughed aloud
with delight. Pontius ground his teeth, and then said very earnestly:
“Balbilla seems to me a merry-hearted girl, but of a noble nature. I
see no reason to laugh at her.” Hadrian looked keenly into the daring
architect’s eyes, laid his hand on his shoulder, and replied with a
certain threatening accent in his deep voice:
“It would be an evil moment for you, or for any one, who should do so
in my presence. But age may venture to play with edged tools, which
children may not even touch.”
CHAPTER XVIII.
Selene entered the gate-way in the endlessly-long walk of sun-dried
bricks which enclosed the wide space where stood the court-yards,
water-tanks and huts, belonging to the great papyrus manufactory of
Plutarch, where she and her sister were accustomed to work. She could
generally reach it in a quarter of an hour, but to-day it had taken more
than four times as long and she herself did not know how she had managed
to hold herself up, and to walk-limp-stumble along, in spite of the
acute pain she was suffering. She would willingly have clung to every
passer-by, have held on to every slow passing vehicle, to every beast
of burden that overtook her--but man and beast mercilessly went on their
way, without paying any heed to her. She got many a push from those who
were hurrying by and who scarcely turned round to look at her, when
from time to time she stopped to sink for a moment on to the nearest
door-step, or some low cornice or bale of goods; to dry her eyes, or
press her hand to her foot, which was now swollen to a great size,
hoping, as she did so, to be able to forget, under the sense of a new
form of pain, the other unceasing and unendurable torment, at least for
a few minutes.
Public-domain text, read in full here on John Shaqi.
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