Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English; Hadrian, Emperor of Rome, 76-138 -- Fiction
“Bring it here,” cried a butcher. “I can use it to slaughter my beasts.”
The Romans as they heard these bandied words felt the blood mounting
to their faces, but the prefect, who knew his Alexandrians well, had
counselled them to be deaf; to see everything but to hear nothing. Now
there appeared a cohort of the Twelfth Legion, who were quartered in
garrison in Egypt, in their richest arms and holiday uniforms. Behind
them came two files of particularly tall lictors wearing wreaths,
and they were followed by several hundred wild beasts, leopards
and panthers, giraffes, gazelles, antelopes, and deer, all led by
dark-colored Egyptians. Then came a richly-dressed and much be-wreathed
Dionysian chorus with the sound of tambourines and lyres, double flutes
and triangles, and finally, drawn by ten elephants and twenty white
horses, a large ship, resting on wheels and gilt from stem to stern,
representing the vessel in which the Tyrrhenian pirates were said to
have carried off the young Dionysus when they had seen the black-haired
hero on the shore in his purple garments. But the miscreants--so the
myth went on to say--were not allowed long to rejoice in their violence,
for hardly had the ship reached the open sea when the fetters dropped
from the god, vines entwined the sails in sudden luxuriance, tendrils
encumbered the oars and rudder, heavy grapes clustered round the ropes,
and ivy clung to the mast and shrouded the seats and sides of the
vessel. Dionysus is equally powerful on sea and on land; in the pirates’
ship he assumed the form of a lion, and the pirates, filled with terror,
flung themselves into the sea, and in the form of dolphins followed
their lost bark.
All this Titianus had caused to be represented just as the Homeric
hymns described it, out of slight materials, but richly and elegantly
decorated, in order to provide a feast for the eyes of the Alexandrians,
with the intention of riding in it himself, with his wife and the most
illustrious of the Romans who formed the Empress’ suite, to enjoy all
the Holiday doings in the chief streets of the city. Young and old,
great and small, men and women, Greeks, Romans, Jews, Egyptians,
foreigners dark and fair, with smooth hair or crisp wool, crowded with
equal eagerness to the edge of the roadway to see the gorgeous boat.
Hadrian, far more anxious to see the show than his younger but less
excitable favorite, pushed into the front rank, and as Antinous was
trying to follow him, a Greek boy, whom he had shoved aside, snatched
his mask from his face, threw himself on the ground, and slipped nimbly
off with his booty. When Hadrian looked round for the Bithyman, the
ship-in which the prefect was standing between the images of the Emperor
and Empress, while Julia, Balbilla, and her companion, and other Roman
lords and ladies were sitting in it--had come quite near to them. His
sharp eye had recognized them all, and fearing that the lad’s uncovered
face would betray them he cried out:
Public-domain text, read in full here on John Shaqi.
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