Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English; Hadrian, Emperor of Rome, 76-138 -- Fiction
This one was Pontius the architect; and yet, strangely enough, it was
precisely her remembrance of him that urged her on from one folly to
another. She had often seen the architect in Alexandria, and when they
parted she had allowed him to promise to follow her and the Empress, and
to escort them at any rate for a part of their voyage up the Nile. But
he came not, nor had he sent any report of himself, though he was alive
and well, and every express that overtook them brought documents for
Caesar in his handwriting.
So he, on whose faithful devotion she had built as on a rock, was no
less self-seeking and fickle than other men. She thought of him every
day and every hour; and as soon as a vessel from the north cast anchor
within sight, she watched the voyagers as they disembarked to detect him
among them. She longed for Pontius as a traveller who has lost his way
sighs for a sight of the guide who has deserted him; and yet she
was angry with him, for he had betrayed by a thousand tokens that he
esteemed and cared for her, that she had a certain power over his strong
will--and now he had broken his word and did not come.
And she? She had not been unmoved by his devotion, and had been gentler
to this grandson of her father’s freed slave than to the best-born man
of her own rank. And in spite of it all Pontius could spoil all the
pleasure of her journey and stay in Alexandria instead of following
in her wake. He could easily have intrusted his building to other
architects--the great metropolis was swarming with them! Well, if he did
not trouble himself about her she certainly need care even less about
him. Perhaps at last, at the end of their travels he might yet come, and
then he should see how much she cared for his admonitions.
But she sighed impatiently for the hour when she might read him all the
verses she had addressed to Antinous, and ask him how he liked them. It
gave her a childish pleasure to add to the number of these little poems,
to finish them elaborately, and display in them all her knowledge and
ability. She gave the preference to artificial and massive metres; some
of the verses were in Latin, others in the Attic, and others again in
the Aeolian dialects of Greek, for she had now learnt to use this, and
all to punish Pontius--to vex Pontius--and at the same time to appear in
his eyes as brilliant as she could. She belauded Antinous, but she
wrote for Pontius, and for every flower she gave the lad she had sent
a thought to the architect, though with a curl on her lips of scornful
defiance.
Public-domain text, read in full here on John Shaqi.
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