Kaemfer, writing in the seventeenth century, remarked of the Japanese: "As to all sorts of handicraft, they are wanting neither proper materials nor industry and application, and so far is it that they should have any occasion to send for masters abroad, that they rather exceed all other nations in ingenuity and neatness of workmanship, particularly in brass, gold, silver, and copper." In metal work the Japanese have certainly cultivated art to a high degree. Much of that metal work was, of course, employed in connection with articles which modern conditions of life in Japan have rendered absolutely or almost entirely obsolete. The bronze workers of Japan were and indeed are still famous. Their work as displayed in braziers, incense-holders, flower-vases, lanterns, and various other articles evinces great skill, while the effects often produced by the artists in the inlaying and overlaying of metals with a view of producing a variegated picture has long been the wonder and admiration of the Western world. It is almost safe to assert that the finest specimens of work of this kind can never be reproduced. In casting, too, there was no lack of skill in old Japan. The big bell at Kyoto, which is 14 feet high by over 9 feet in diameter, is a sufficient object-lesson as to the proficiency attained in casting in bygone days. Much of the bronze work of Japan, especially in birds and insects, is to me incomparable. The modern bronze work of the country, though certainly beautiful, does not in any respect or any degree approach that of the masters of two or three hundred years ago. In the manipulation of metals and amalgams these men have reached a higher standard of perfection than had previously or has since been attained. The bronze work of Japan is not, in my opinion, as generally appreciated as it deserves to be. There is, I think, nothing of the same kind in the world to be compared with it when it was at its best. Like much of the other art of Japan modern conditions are, as I have said, not conducive either to its progress or development. Still, there is no lack of skill in this particular branch of art in Japan at the present time, and I have seen some very admirable, not to say magnificent, specimens of modern bronze work. [Illustration: BRONZE INCENSE-BURNER AND SMALL FLOWER-VASE EIGHTEENTH CENTURY]