As I have already said, very much the same remarks made in reference to the literature of Japan apply to its drama. That country is still in the transition stage, and both its drama and its literature will undoubtedly be profoundly modified in future years. Western literature and Western dramatic art have already exercised considerable influence, and there are movements on foot whose object is to replace the old ideas and methods, especially in the matter of the representation of dramatic works by those which obtain in Europe and America. Whether these movements will be successful or not remains to be seen. There is certainly a large body of public opinion not only opposed but antagonistic to them. In spite of the rapid development of Japan in recent years, there is a very strong conservative party in the country--a party which, though it recognises or acquiesces in the desirability of change in many directions, is not prepared to throw overboard everything because it is old. I sincerely hope that the distinctive literature and dramatic art of the country will not be allowed to die out. Japan cannot afford to forget the past with its influences on the national life and character, influences at work for many ages which have assuredly had a material effect in elevating her to the position she at present occupies. CHAPTER XVII NEWSPAPERS IN JAPAN Japan having taken on most of the characteristics and some of the idiosyncracies of Western civilisation, has naturally developed a newspaper press of its own. Of course newspapers in Japan are no new thing. Mr. Kumoto, editor of the _Japan Times_, claims for Japanese journalism an origin as far back as the early part of the seventeenth century. "Long before," he remarks, "our doors of seclusion were forced open by the impatient nations of the West, our ancestors had found a device by which they kept themselves in touch with current events and news. The news-sheets of those days were roughly got up, being printed from wooden blocks hastily purchased for each issue. They were meagre in news, uncouth in form, and quite irregular in appearance, there being no fixed date for publication. Neither were they issued by any particular and fixed publisher. Anybody could issue them, and at any time they pleased. These sheets were called Yomuri, which, being translated, means 'sold by hawking.'" These ancient newspapers had, however, palpably nothing in common with modern journalism, and anything in the shape of criticism or comment, or any attempt to guide or mould public opinion was, of course, not to be found therein. He would have been a bold man at the beginning of the seventeenth century, or indeed very much later, who would have ventured to print and publish anything tending to influence public opinion, or having the appearance of being a criticism on those in authority.