=61. Modellers of Wax Figures.= Catharine Questier, who lived in Amsterdam about 200 years ago, besides possessing many other accomplishments, was a modeller in wax. Joanna Sabina Preu, who lived in Germany not long after, was noted in the same way. A daughter of a Danish king also modelled in wax. "Professor Anna Manzalius, an Italian lady, modelled excellent portraits in the beginning of the eighteenth century." In England, in the early part of the eighteenth century, Mrs. Samore modelled figures and historical groups in wax. Mrs. Patience Wright, born in Bordentown, New Jersey, 1725, made a great many likenesses in wax. Some were full length and some were busts. They were mostly of the statesmen that were conspicuous in the American colonies at that time--yet some were of Englishmen, as she resided in London, after she became a widow, and supported her family by her handiwork. Her daughter, Mrs. Platt, modelled in wax in New York in 1787. I saw a maker of wax figures who said he had supported his family by his work, and thought a few others might make a living at it. One must be able to draw a model before undertaking wax figures. It requires good perceptive powers, ability to distinguish colors, and a peculiar taste. One must be able to work from life, and it is well to know how to do so from pictures. Mr. G., interested in Barnum's museum, told me that it was impossible to get such wax figures made in this country as they want. He spoke of the miserable imitations that are made, and thought a person well qualified would be patronized. Most of the groups in Barnum's museum were made by Mrs. Pelby, of Boston. Mr. Barnum wrote to Mr. Tussaud, whose mother made those so famous in London (and who is living now), to know if he would instruct some one to send to America; but he is not willing to give any one instruction. He employs persons to make the different parts; one set of workers make the bodies, another the heads, another the feet, &c. The world-famed group of his mother, Madame Tussaud, was first opened in Paris about 1770. After being exhibited in the large towns of Great Britain, it was taken to London, where it still remains. The figures are so life-like that now and then one is mistaken for a living person, while a person is as often mistaken in the group for one of the figures. More than forty persons are kept in charge of the exhibition.