The Employments of Women: A Cyclopædia of Woman's WorkPenny, Virginia
General
The Employments of Women: A Cyclopædia of Woman's Work
Penny, Virginia
Women -- Employment
=63. Musicians.= Madame Romeau says: "Few women have been engaged in
musical compositions, and they have rarely undertaken important works.
In painting and literature one is pre-occupied only with the work of the
author. In music, it requires the coöperation of two persons--the
composer, and the performer. Books and paintings act upon us without any
intermediate objects, while the piece of the composer, to be understood,
needs the flow of harmony noted on the paper in hieroglyphic signs, and
must escape under the fingers from the instrument. It is necessary to
animate the inert matter--to make it yield to the wish of the performer
and reproduce the inspirations of the composer. Few women compose songs.
A musician leads a different life from an artist, who lives in her
studio and has few expenses. A musician must face the crowd, and hear
its dissatisfaction, and smile at its applause. A cantatrice, or
songstress, often travels from town to town like an actress." Some
persons think none of the arts can be purely religious except music.
"Mozart in music, and Raphael in colors, have taught us the spiritual
ministry of the senses." A comparatively small quantity of music has
been composed in the United States. The study of a lifetime is bestowed
by very few on music. Some American ladies have gone to Europe to
perfect their musical taste, and a few have acquired distinction. With
musicians, as with vocalists--those who, in this country, have reaped
the greatest profits in the shortest time were foreigners. Some were
pianists, some flutists, some violinists--some one thing, and some
another. The composition of music for soirées, fancy balls, masquerades,
tableaux vivants, private theatricals, operas, dramas, musical farces,
ballets, &c., might occupy all the spare time of musicians capable of
composing. There is a circulating library in London of 42,000 volumes.
There is, also, one in New York and one in Brooklyn. Subscribers to the
one in Brooklyn pay in advance for one year $12, with the privilege of
selecting from the catalogue $6 worth of music at the termination of the
subscription; for six months, $6; for three months, $3; for a single
piece worth less than $1, 6 cents per week; less than $2, 9 cents per
week. Mr. G. thinks a lady can never become a good violinist, because it
requires great strength in the right arm. The muscles of violinists are
as rigid as a blacksmith's. I have heard that occasionally a pianist
acquires such strength in his hands that he could almost prostrate you
with one of his fingers. A gentleman told me, ladies could not become
superior organists; that they cannot have sufficient power developed. It
requires much strength of hands and feet. He remarked, the organist, at
the church he attended, was a lady, but made no comments on her
qualifications. I have known two lady organists, who were considered
superior performers, and received as good salaries as gentlemen would
have done.
Public-domain text, read in full here on John Shaqi.
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