Exhibitions, open to everybody, will afford the public an opportunity to measure her talent or genius; critics will confine their attacks to her works; and praise, if she deserves it, will reach her eyes and ears in terms that she will be able to listen to or peruse without the accompaniment of a blush." Mrs. Wilson, wife of a physician living in Cincinnati, has executed busts of her husband and children that are said to be excellent likenesses. Mrs. Dubois, of New York, has sculptured in marble several specimens. Misses Lander and Stebbins, and Miss Hosmer, we believe, find their art lucrative. Sculptors should attend anatomical dissections; should learn the structure of the human frame, and the appearance of the muscles under the various conditions to which circumstances may subject them. Indeed the study of anatomy is essential to success. In sculpture, we closely imitate the parent, nature. The most superior specimens of statuary are said to be modelled after nature, as seen in the unlaced, unpinched, unaltered original--just as nature's own hand has chiselled. In sculpture, modelling is the inventive part of the work, and requires taste and genius; copying is a merely mechanical operation. A pursuit of this kind, if followed from the love of it, becomes a soul-engrossing study. Means or friends to rely upon, for at least two years, during the time of study, will be necessary in most cases; for if the artist is to support herself while she studies, only the highest earnestness can sustain her; but then those that are not in earnest should not undertake this art--for "it is better to pursue a frivolous trade in a serious manner, than a sublime art frivolously." Without very decided talent it will be some time before a sculptor comes sufficiently into notice to sustain herself entirely by the filling of orders. "Sculpture has become almost a fashion in Paris; but a woman finds it difficult to devote herself to studies pertaining to the art. Though greater in number than painters, they have accomplished scarcely any remarkable works." Many women who might not undertake sculpture, might learn to work in marble for sculptors. A marble worker in its various branches, writes me: "I think women might be very well employed in the lighter parts of finishing. I suppose they are not so employed, because there has not yet been any organized and extended effort made to introduce them into this line of business. I am not sure, but think it likely, women are employed to a limited extent in _chiselling_ marble in Italy and France. Miss Hosmer has done more than mould for others to copy. She has herself handled the mallet and chisel. The employment in general is healthy; but lettering, and indeed fine chiselling of any sort, requiring the eye to be brought near to the work, raises a dust, which is breathed into the lungs--though the injury is not very apparent till the lapse of years reveals it. The qualifications desirable are a good judgment, and eye