Victoria, Empress, consort of Frederick III, German Emperor, 1840-1901
There is no need to enlarge upon the details of the drawing-rooms and
other apartments of the castle, but some of the pictures and sculpture
were of particular interest. For instance, there were many curious
portraits of members of the House of Hanover; a sketch, by Titian, of
the Emperor Charles V of Germany; a fine portrait of Frederick the
Great; and many busts and statues of the Empress's relatives, including
a beautiful marble bust of her son, little Prince Waldemar.
The fireplace in the library deserves mention, being of Istrian stone in
the Venetian style--indeed, all through the castle the fireplaces were
of remarkable artistic beauty. Thus, that in the great dining-room was
of marble supported on columns, and surmounted by a bust of the Emperor
Frederick.
In the library was placed a replica of the altarpiece in Cologne
Cathedral, representing the Adorations of the Magi. The bookcases,
running nearly all round the room, contained the Empress's collection of
some thirty years. One case was devoted entirely to books dedicated to
her, and the authors of many of them had been admitted to her personal
friendship. Another section contained all the books written on the
subject of the English Royal family, and many of these were gifts with
inscriptions in Queen Victoria's large, clear handwriting.
Every book in the library had been examined by the Empress, and many of
them had been read and re-read. This was notably the case in the section
devoted to political economy, a subject in which she was intensely
interested. Here were to be seen all the works of Jeremy Bentham, a gift
from Dean Stanley; here, too, were kept the Empress's marvellous
collection of autographs, begun when she was twelve years old, and
containing the handwriting, not only of practically all the Royal
personages of Europe, but also of statesmen, artists, and literary and
scientific men, who had all made their mark in their several callings.
The Empress was indeed a collector. Her possessions afforded her intense
pleasure; to use her own expressive phrase: "One loves one's own things
so much; one strokes them with one's eyes."
There was arranged in glass cases her collection of coins and medals,
which contained some particularly fine and rare examples from the
Brandenburg-Prussian, English, French, and Vatican mints. One case was
devoted to a numismatic portrait-gallery of her own relations.
Her collection of photographs, each properly titled, took up 300
portfolios. When going over these the Empress would wax enthusiastic
over the views of the places where she had herself stayed, particularly
those in Italy, such as Rapallo, S. Margherita, Baveno, and Portofino. A
favourite city of hers was Triest, of which she seemed to know every
stock and stone.
Public-domain text, read in full here on John Shaqi.
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