Victoria, Empress, consort of Frederick III, German Emperor, 1840-1901
The rosery, for instance, was her creation. About half an acre in
extent, it resembled the rosery at Birkhall, on the Balmoral estate. It
sloped gently upwards, divided into numerous little terraces, bearing
double rows of half-standard roses, and it was bounded partly by a
creeper-clad wall, and partly by trelliswork over which roses were
trained. In the flower-beds of her ordinary garden her Majesty showed
her strong preference for old-fashioned English flowers--indeed,
throughout she evidently aimed at reproducing the mingled beauty and
repose so characteristic of English gardens. All kinds of trees, too,
she planted, and many have the added interest of an iron tablet
recording that it was planted by some Royal or distinguished visitor.
The Empress certainly had no lack of occupation and interest at
Cronberg. She had always been fascinated by restoration and excavation
work, and fortunately Cronberg possessed both an old castle and an old
church, which she eagerly set herself to preserve for future
generations. At the old Burg she found many ancient remains, such as
arrowheads, keys, &c., and, most important of all, several Gothic iron
"Ofenplatten." She was interested in every detail. Once she spent a long
time hunting for a passage-way which she knew must be there because of
the "pechnaze," or slit in the wall through which boiling lead used to
be poured in mediæval sieges. When out riding she always kept a keen
look-out for survivals of the past. Thus she was much interested in the
iron crosses to be found in the Taunus, and she proposed to draw all the
different kinds and publish a book about them.
To the restoration of Cronberg Church the Empress devoted an immense
amount of personal trouble. Two Ministers and some important officials
had to be approached before the order from the Cabinet was obtained
granting the necessary financial help. When it was at last issued, the
Empress herself brought it to Cronberg, and, arriving there in the
evening, carried it the first thing in the morning to the pastor. Hardly
a nail was put in the church without her knowledge. She studied and
re-studied for months the details of windows, doors, hinges, &c. Her
delight was great when under the whitewash she discovered some frescoes
of the fifteenth century.
A tablet was put up in the choir setting forth what the Empress had done
for the restoration of the church, but here the truly modest nature of
the woman showed itself. She had the tablet removed from the choir, and
refixed in a place high up where it is practically unseen.
Public-domain text, read in full here on John Shaqi.
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