Empresses -- Rome -- Biography; Women -- Rome -- Biography
Julia joined with him in the work of restoration. We know that at
Rome she rebuilt the temple of Vesta, and the numerous provincial
inscriptions suggest a much wider interest. Under her lead the women of
Rome were encouraged to look beyond their homes. Sabina had erected,
or dedicated, a meeting-hall for women in the Forum of Trajan, but it
had fallen into decay. Julia restored this early “women’s club,” and
no doubt introduced into it the enthusiasm for letters and philosophy
which she still had. Her “circle,” as Philostratus calls it, probably
included the historian Dio, who was still at Rome, and the poet
Appian, who had some years before described her as “the great Domna.”
Philostratus himself, a Greek writer and rhetorician, one of the most
learned men of the time, was closely associated with her. It was at
her request that he wrote his famous “Life of Apollonius of Tyana.” In
his “Lives of the Sophists” (Philiscus) he speaks of her as “Julia the
Philosopher,” and in one of his letters (lxxiii) he refers with high
appreciation to her learning.
Julia was then in the prime of her life, and in her happiest days. The
bust of her that quickly catches the eye in the Vatican Museum--the
largest surviving portrait-bust of the period--will hardly be deemed to
possess the beauty with which the historians invest her. The thick lips
and large nose, which betray her ancestry, do not compare well with the
features of other Empresses. But the grave, strong, thoughtful face
and large eyes, which we may imagine instinct with Syrian fire, are
undeniably handsome. Her sister, Julia Mæsa, was with her--a woman of
similar strength, moderation, and judgment. But the younger generation
in the palace gave them concern. The young men, Bassianus and Geta,
were loose and luxurious in their ways; and one of the daughters of
Mæsa, Julia Soæmias, was a fit companion for Bassianus. Severus, noting
the advance of his gout, looked with grave eyes on the soft habits and
the constant quarrels of the sons whom he wished to leave partners in
the Empire.
[Illustration: JULIA DOMNA
BUST IN THE VATICAN MUSEUM]
Public-domain text, read in full here on John Shaqi.
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