The reign of Carinus affords one of the worst illustrations of the evil. Indolent, insolent, and luxurious, he saw in his Imperial power an opulent ministry to his depraved tastes. He did indeed provide Rome with the most splendid entertainments. The amphitheatre rang once more with the coarse applause of the ninety thousand spectators of its bloody contests; the Circus was transformed into a forest, in which the strange or beautiful beasts of remote lands lived under the eyes of three hundred thousand Romans. But this indulgence of the people’s appetites was held to excuse an unbridled ministry to those of the prince. The whisper went once more through the fetid depths of Roman life that there were rich awards for the ingenious and industrious pandar to a sated voluptuary, and the palace exhibited again the loathsome spectacles that had long been expelled from it. They have little interest for us, as although Carinus made and unmade nine Empresses in little over a year, they are lost in the riot of the time. One poor name, that of Magnia Urbica, has survived on a few coins. She is given by Serviez as the wife of Carus, because she is represented with two children on one of the coins. Cohen points out, however, that the group does not properly consist of a mother and two children, and he concludes that she was one of the nine wives of Carinus. In the number of his consorts Carinus surpassed the high record of Imperial license, and he was not less original in the grounds for his divorces. Sterility has often been pleaded by monarchs as a fit reason for repudiating their wives; it was reserved to Carinus to dismiss them the moment they gave proof of fertility. So the women of Rome succeeded each other rapidly in the dissolute palace, where the Emperor, surrounded by his courtesans, glittering down to his shoes with diamonds and emeralds, sat on rose-strewn couches to his costly banquets.