Empresses -- Rome -- Biography; Women -- Rome -- Biography
The malcontents of Rome would be sure to agitate in favour of
Britannicus unless the succession was secured for Nero before the
death of Claudius was known. The art with which Agrippina averted
this danger may excite our admiration of her virility and astuteness,
but must inevitably lessen our appreciation of her sensibility. She
announced that Claudius was dangerously ill, and called an assembly
of the Senate. Conscious that the servants of a palace commonly draw
their pay from some one without, she put guards at every approach to
the chamber of the dead man, and devised and carried out a tragi-comedy
of the most extraordinary character. The clothes were drawn over the
lifeless body, bandages and poultices were ostentatiously applied to
it by her servants, and even the mimes, who had been wont to dance
and ring their bells and crack their jokes before the Emperor, were
brought in to perpetrate their follies in the chamber of death. In a
neighbouring room Agrippina joined her conjugal sobs with the laments
of the youthful Britannicus. We are asked to believe, and we have
little difficulty in believing, that while she clung in tears to the
weeping youth, she was merely, with cold calculation, preventing him
from leaving the palace, lest he should fall in the way of the Guards,
or some ambitious partisan, and be proclaimed Emperor.
By noon the preparations of her agents were completed. The gates of the
palace were thrown open, and Nero was sent out, under the care of his
military tutor Burrus, the commander of the Guards. A few voices were
heard to mutter the name of Britannicus, but the cry was feeble, and
the response insignificant. The Guards were long accustomed to see the
superiority of Nero over the sickly young prince, and their support
was secured by a liberal promise of money. They conducted Nero to the
Senate, and bade that helpless body accept him. The same evening a
courier from Agrippina brought word to Sinuessa that Nero was Emperor.
Narcissus had lost, and his figure passes from the scene--with the
inevitable rumour that he was imprisoned or poisoned by Agrippina.
Public-domain text, read in full here on John Shaqi.
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