The Empty House and Other Ghost StoriesBlackwood, Algernon
General
The Empty House and Other Ghost Stories
Blackwood, Algernon
Ghost stories, English
I can see that group to this day, with all the detail of a good
photograph: standing half-way between the firelight and the darkness, a
slight mist rising from the lake, the frosty stars, and our men, in
silence that was all sympathy, dragging Rushton across the rocks towards
the camp fire. Their moccasins crunched on the sand and slipped several
times on the stones beneath the weight of the limp, exhausted body, and
I can still see every inch of the pared cedar branch he had used for a
paddle on that lonely and dreadful journey.
But what struck me most, as it struck us all, was the limp exhaustion of
his body compared to the strength of his utterance and the tearing rush
of his words. A vigorous driving-power was there at work, forcing out
the tale, red-hot and throbbing, full of discrepancies and the strangest
contradictions; and the nature of this driving-power I first began to
appreciate when they had lifted him into the circle of firelight and I
saw his face, grey under the tan, terror in the eyes, tears too, hair
and beard awry, and listened to the wild stream of words pouring forth
without ceasing.
I think we all understood then, but it was only after many years that
anyone dared to confess what he thought.
There was Matt Morris, my guide; Silver Fizz, whose real name was
unknown, and who bore the title of his favourite drink; and huge Hank
Milligan--all ears and kind intention; and there was Rushton, pouring
out his ready-made tale, with ever-shifting eyes, turning from face to
face, seeking confirmation of details none had witnessed but
himself--and _one other_.
Silver Fizz was the first to recover from the shock of the thing, and to
realise, with the natural sense of chivalry common to most genuine
back-woodsmen, that the man was at a terrible disadvantage. At any rate,
he was the first to start putting the matter to rights.
"Never mind telling it just now," he said in a gruff voice, but with
real gentleness; "get a bite t'eat first and then let her go
afterwards. Better have a horn of whisky too. It ain't all packed yet, I
guess."
"Couldn't eat or drink a thing," cried the other. "Good Lord, don't you
see, man, I want to _talk_ to someone first? I want to get it out of me
to someone who can answer--answer. I've had nothing but trees to talk
with for three days, and I can't carry it alone any longer. Those
cursed, silent trees--I've told it 'em a thousand times. Now, just see
here, it was this way. When we started out from camp--"
He looked fearfully about him, and we realised it was useless to stop
him. The story was bound to come, and come it did.
Now, the story itself was nothing out of the way; such tales are told by
the dozen round any camp fire where men who have knocked about in the
woods are in the circle. It was the way he told it that made our flesh
creep. He was near the truth all along, but he was skimming it, and the
skimming took off the cream that might have saved his soul.
Public-domain text, read in full here on John Shaqi.
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