The End of the RainbowMacGregor, Mary Esther Miller
Philosophy
The End of the Rainbow
MacGregor, Mary Esther Miller
Canada -- Social life and customs -- Fiction
So Alexander Graham's millinery
was looked upon with some disfavour. He was a quiet man though,
sensitive and retiring, and not given to vain display, and people felt
that the sin of the silk hat very likely lay at the door of his
fashionable wife and daughter.
The Grahams were no sooner seated than Leslie turned her handsome head,
and glancing across the church towards Roderick, gave him a brilliant
smile. But the young man did not catch the gracious favour; he was
looking just then at a group passing up the aisle to a seat almost in
front of him; Grandma Armstrong moving very slowly on her eldest
daughter's arm, Miss Annabel in a youthful blue silk dress, and behind
them a girlish figure in a white gown with a wealth of shining hair
gleaming from beneath her wide hat.
Helen Murray had come to church this first Sunday with some fear. Her
father's voice spoke to her yet in every minister's tones, and the
place and the hour were all calculated to bring up memories hard to
bear in public. She was just seated between Grandma and Miss Annabel
when the former pulled her sleeve and enquired if she did not think the
new gladiators very pretty. The girl followed the old lady's eyes and
saw they were indicating the shiny brass electroliers suspended from
the ceiling. In happier days Helen had found laughter very easy. Her
sense of humour had not been deadened by sorrow, it was only in
abeyance, and now she felt it stirring into life. The little incident
made her look around with interest. Certainly the Algonquin church was
not a place calculated to make one indulge in melancholy. The
Presbyterian congregation was a virile one, bright and friendly and
full of energy, and with very few exceptions, every one was at least
fairly well off. With the aid of a generous expenditure of money they
had expressed their congregational life in the decoration of the
church; so the place was comfortable and well lighted, and exceedingly
bright in colouring. Around three sides ran a gallery with an
ornamental railing, tinted pink. The walls were the same colour,
except for a bright green dado beneath the gallery, and the vaulted
ceiling was decorated with big bouquets of flowers in a shade of pink
and green slightly deeper than the walls and the dado. The carpet and
the cushions--every inch of the floor was carpeted and every pew
cushioned--were a warm bright crimson to match the organ pipes. The
high Gothic windows were of brilliant stained glass, which, when the
morning sun shone, threw a riot of colour over the worshippers. And
indeed everything was warm and bright and shining, from the glittering
new electroliers suspended from the pink ceiling, to the crimson baize
doors which swung inward so hospitably at one's approach.
Public-domain text, read in full here on John Shaqi.
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