The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
The beautiful fancy of plants springing from the graves of star-crossed
lovers, and signifying by the intertwining of stems or leaves, or in
other analogous ways, that an earthly passion has not been extinguished
by death, presents itself, as is well known, very frequently in popular
poetry. Though the graves be made far apart, even on opposite sides of
the church, or one to the north and one to the south outside of the
church, or one without kirk wall and one in the choir, however
separated, the vines or trees seek one another out, and mingle their
branches or their foliage:
"Even from the tomb the voice of Nature cries,
Even in our ashes live their wonted fires!"
The principal ballads which exhibit this conception in one or another
form are the following:
In English, 'The Douglas Tragedy,' 'Fair Margaret and Sweet William,'
'Lord Thomas and Fair Annet,' 'Fair Janet,' 'Prince Robert,' 'Lord
Lovel.' The plants in all these are either a brier and a rose, or a
brier and a birk.
#Swedish.# Arwidsson, No 73: the graves are made east and west of the
church, a linden grows from each, the trees meet over the church roof.
So E. Wigström, Folkdiktning, No 20, p. 42. Arwidsson 74 #A#: Rosea
Lilla and the duke are buried south and north in the church-yard. A rose
from her grave covers his with its leaves. The duke is then laid in her
grave, from which a linden springs. 74 #B#: the rose as before, and a
linden from the duke's grave. Arwidsson, 72, 68, Afzelius, No 19 (new
ed., 18), 23 (new ed., 21, 1, 2): a common grave, with a linden, two
trees, or lilies, and, in the last, roses also growing from the mouths
of both lovers. In one version the linden leaves bear the inscription,
My father shall answer to me at doomsday.
#Norwegian.# Landstad, 65: the lovers are laid north and south of the
church; lilies grow over the church roof.
#Danish.# Danske Viser, 124, 153, two roses. Kristensen, II, No 60, two
lilies, interlocking over church wall and ridge. 61 #B#, #C#
(==Afzelius, 19), separate graves; #B#, a lily from each grave; #C#, a
flower from each breast. Grundtvig, 184 #G#, 271 #N#, a linden; Danske
Folkeminder, 1861, p. 81, two lilies.
#German.# 'Der Ritter u. die Maid,' (1) Nicolai, I, No 2,==Kretzschmer,
I, 54; (2) Uhland, 97 #A#, Simrock, 12; (3) Erk's Liederhort, 26;
Hoffmann u. Richter, 4: the lovers are buried together, and there grow
from their grave (1) three pinks, (2) three lilies, (3) two lilies.
Wunderhorn, 1857, I, 53, Mittler, No 91: the maid is buried in the
churchyard, the knight under the gallows. A lily grows from his grave,
with an inscription, Beid wären beisammen im Himmel. Ditfurth, II, 7:
two lilies spring from her (or their) grave, bearing a similar
inscription. In Haupt and Schmaler, Volkslieder der Wenden, I, 136, from
the German, rue is _planted_ on the maid's grave, in accordance with the
last words of the knight, and the same inscription appears on one of the
leaves.
Public-domain text, read in full here on John Shaqi.
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