The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
4
And all her hair, so long and fair,
That down her back did flow,
O he did lay it up with care,
To string his fiddle bow.
5
And what did he with her fingers,
Which were so straight and small?
O he did cut them into pegs,
To screw up his fiddoll.
6
Then forth went he, as it might be,
Upon a summer's day,
And met a goodly company,
Who asked him in to play.
| 7
| Then from her bones he drew such tones
| As made their bones to ache,
| They sounded so like human groans
| Their hearts began to quake.
| 8
| They ordered him in ale to swim,--
| For sorrow's mighty dry,--
| And he to share their wassail fare
| Essayd right willingly.
9
He laid his fiddle on a shelf
In that old manor-hall,
It played and sung all by itself,
And thus sung this fiddoll:
| 10
| 'There sits the squire, my worthy sire,
| A-drinking hisself drunk,' etc., etc.
#N.#
_Pinkerton tells us, in the Preface to his ~Ancient
Scottish Poems~, p. cxxxi, that "~Binnorie is one half
from tradition, one half by the editor~." One fourth and
three fourths would have been a more exact apportionment.
The remainder of his text, which is wholly of his
invention, is as follows_:
'Gae saddle to me my swiftest steid;
Her fere, by my fae, for her dethe sall bleid.'
A page cam rinning out owr the lie:
'O heavie tydings I bring,' quoth he.
'My luvely lady is far awa gane;
We weit the fairy hae her tane.
Her sister gaed wood wi dule and rage;
Nocht cold we do her mind to suage.
"O Isabel, my sister," she wold cry,
"For thee will I weip, for thee will I die."
Till late yestrene, in an elric hour,
She lap frae aft the hichest touir.'
'Now sleip she in peace,' quoth the gallant squire;
'Her dethe was the maist that I cold require.
But I'll main for the, my Isabel deir,
Full mony a dreiry day, hot weir.'
20. _This stanza occurs also in #B c# (17), and was
perhaps borrowed from Pinkerton by the reviser of that
copy._
#O. a#.
_Buchan's note, II, 320_: "I have seen four or five
different versions of this ballad, but none in this dress,
nor with the same chorus.... The old woman from whose
recitation I took it down says she had heard another way
of it, quite local, whose burden runs thus:
'Ever into Buchanshire, vari vari O.'"
1^2. hae courted.
#b.#
Public-domain text, read in full here on John Shaqi.
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