The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
When she came back to the city the drums and the trumpets struck up.[31]
She stuck the head out of the window, and cried, "Now I am Roland's
bride!" She drew it in, and cried, "Now I am a heroine!"
#Danish.# Eleven versions of this ballad are known in Danish, seven of
which are given in Danmarks gamle Folkeviser, No 183, 'Kvindemorderen,'
#A-G#. Four more, #H-L#, are furnished by Kristensen, Jydske Folkeviser,
I, Nos 46, 47, 91; II, No 85. #A#, in forty-one two-line stanzas
(previously printed in Grundtvig's Engelske og skotske Folkeviser, p.
233), is from a 16th century MS.; #B#, thirty stanzas, #C#,
twenty-four, #D#, thirty-seven, from MSS of the 17th century; #E#,
fifty-seven, from a broadside of the end of the 18th; #F#, thirty, from
one of the beginning of the 19th; and #G-L#, thirty-five, twenty-three,
thirty-one, twenty-six, thirty-eight stanzas, from recent oral
tradition.
The four older versions, and also #E#, open with some lines that occur
at the beginning of other ballads.[32] In #A# and #E#, and, we may add,
#G#, the maid is allured by the promise of being taken to a paradise
exempt from death and sorrow; #C#, #D#, #F# promise a train of handmaids
and splendid presents. All the versions agree very well as to the kernel
of the story. A false knight prevails upon a lady to elope with him, and
they ride to a wood [they simply meet in a wood, #H#, #K#]. He sets to
work digging a grave, which she says is too long for his [her] dog and
too narrow for his [her] horse [all but #F#, #H#]. She is told that the
grave is for her. He has taken away the life [and honor, #B#, #C#, #I#]
of eight maids, and she shall be the ninth. The eight maids become nine
kings' daughters in #E#, ten in #F#, nineteen in #G#, and in #E# and #F#
the hard choice is offered of death by sword, tree, or stream. In #A#,
#E#, #I#, #L# the knight bids the lady get her gold together before she
sets out with him, and in #D#, #H#, #K#, #L# he points out a little
knoll under which he keeps the gold of his previous victims. The maid
now induces the knight to lie down with his head in her lap, professing
a fond desire to render him the most homely of services[33] [not in #C#,
#G#, #I#, #K#]. He makes an express condition in #E#, #F#, #G#, #H#, #L#
that she shall not betray him in his sleep, and she calls Heaven to
witness that she will not. In #G# she sings him to sleep. He slept a
sleep that was not sweet. She binds him hand and foot, then cries, Wake
up! I will not betray you in sleep.[34] Eight you have killed; yourself
shall be the ninth. Entreaties and fair promises and pretences that he
had been in jest, and desire for shrift, are in vain. Woman-fashion she
drew his sword, but man-fashion she cut him down. She went home a maid.
Public-domain text, read in full here on John Shaqi.
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