The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
Another Flemish version (#C#) has been lately published under the title,
'Roland,' by which only, we are informed, is this particular form known
in Bruges and many parts of Flanders:[30] Chants populaires recueillis
à Bruges par Adolphe Lootens et J. M. E. Feys, No 37, p. 60, 183 vv, in
sixty-three stanzas, of two, three, four, or five lines. This text dates
from the last century, and is given with the most exact fidelity to
tradition. It agrees with #A# as to some main points, but differs not a
little as to others. The story sets out thus:
It was a bold Roland,
He loved a lass from England;
He wist not how to get her,
With reading or with writing,
With brawling or with fighting.
Roland has lost Halewyn's art of singing. Louise asks her father if she
may go to Roland, to the fair, as all her friends do. Her father
refuses: Roland is "een stoute kalant," a bad fellow that betrays pretty
maids; he stands with a drawn sword in his hand, and all his soldiers in
armor. The daughter says she has seen Roland more than once, and that
the tale about the drawn sword and soldiers is not true. This scene is
exactly repeated with mother and brother. Louise then tries her
shrift-father. He is easier, and does not care where she goes, provided
she keeps her honor and does not shame her parents. She tells father,
mother, and brother that she has leave from her confessor, makes her
toilet as in #A#, takes the finest horse in the stable, and rides to the
wood. There she successively meets Roland's father, mother, and brother,
each of whom asks her where she is going, and whether she has any right
to the crown she wears. To all she replies, Whether I have or not, be
off; I know you not. She does not encounter Roland in the wood, they do
not ride together, and there is no gallows-field. She enters Roland's
house, where he is lying abed. He bids her gather three rose-wreaths "at
his hands" and three at his feet; but when she approaches the foot of
the bed he rises, and offers her the choice to lose her honor or kneel
before the sword. She chooses the sword, advises him to spare his coat,
and, while he is taking it off, strikes off his head, all as in #A#. The
head speaks: Go under the gallows (of which we have heard nothing
hitherto), fetch a pot of salve, rub it on my wounds, and they shall
straight be well. She declines to follow a murderer's rede, or to learn
magic. The head bids her go under the blue stone and fetch a pot of
maidens-grease, which also will heal the wounds. This again she refuses
to do, in the same terms; then seizes the head by the hair, washes it in
a spring, and rides off with it through the wood, duly meeting Roland's
father, mother, and brother once more, all of whom challenge her, and to
all of whom she answers,
Roland your son is long ago dead;
God has his soul and I his head;
For in my lap here I have his head,
And with the blood my apron is red.
Public-domain text, read in full here on John Shaqi.
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