The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
Very similar is a #Bohemian# ballad, translated in Waldau's Böhmische
Granaten, II, 25.[65] While Katie is cutting grass, early in the
morning, Indriasch presents himself, and demands some for his horse. She
says, You must dismount, if your horse is to have grass. "If I do, I
will take away your wreath." "Then God will not grant you his blessing."
He springs from his horse, and while he gives it grass with one hand
snatches at the wreath with the other. "Will you die, or surrender your
wreath?" Take my life, she says, but allow me three cries. Two cries
reached no human ear, but the third cry her mother heard, and called to
her sons to saddle, for Katie was calling in the wood, and was in
trouble. They rode over stock and stone, and came to a brook where
Indriasch was washing his hands. The same dialogue ensues as in the
Wendish ballad. The brothers hewed the murderer into fragments.
A #Servian# ballad has fainter but unmistakable traces of the same
tradition: Vuk, Srpske Narodne Pjesme, I, 282, No 385, ed. 1841;
translated by Goetze, Serbische V. L., p. 99, by Talvj, V. L. der
Serben, 2d ed., II, 172, by Kapper, Gesänge der Serben, II, 318. Mara is
warned by her mother not to dance with Thomas. She disobeys. Thomas,
while dancing, gives a sign to his servants to bring horses. The two
ride off, and when they come to the end of a field Thomas says, Seest
thou yon withered maple? There thou shalt hang, ravens eat out thine
eyes, eagles beat thee with their wings. Mara shrieks, Ah me! so be it
with every girl that does not take her mother's advice.[66]
#French.# This ballad is well known in France, and is generally found in
a form resembling the English; that is to say, the scene of the
attempted murder is the sea or a river (as in no other but the Polish),
and the lady delivers herself by an artifice. One French version nearly
approaches Polish #O-CC#.
Public-domain text, read in full here on John Shaqi.
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