The English and Scottish popular ballads, volume 2 (of 5)
General
The English and Scottish popular ballads, volume 2 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
The chamberlain
explained that "the damsel" had put it on to improve the appearance of
the bed. The damsel was summoned, and told what she knew: the abbess
who brought her up had given her the robe, and with it a ring, and
charged her to take good care of them. A sight of the ring was asked;
the lady cried, You are my daughter, and fainted. When she recovered
she sent for her husband and confessed everything. The husband was
only too happy to find that the damsel tant pruz è sage è bele was his
daughter. The story was repeated to La Freisne, and then to the knight
and to the archbishop who had performed the marriage ceremony. The
marriage was dissolved the next day, and La Freisne formally espoused
by the knight, who received with her half her father's heritage. The
sister went home and made a rich marriage.
The common ground-work of the ballads and the lay is, that a man
who has formed an irregular union with a woman whose family he
does not know undertakes matrimony with another person, who is
discovered on the day of the nuptials to be sister to his leman. A
jewel in the possession of the latter, by itself or together with
another token, reveals and proves the kinship in the lay and in
the Scandinavian-German ballad, but there is no trace of such an
instrumentality in the Scottish.
Single features, or even several features, of the story of Fair Annie
or of La Freisne occur in many other ballads and tales, but there is
no occasion to go into these resemblances here. A Norse ballad has
almost every point in 'Fair Annie' but the sisterly relation of leman
and bride: see 'Slegfred og Brud,' Grundtvig, No 255, and 'Thomas o
Yonderdale,' an apocryphal ballad of Buchan's, further on. Bare mention
may be made of the beautiful Spanish romance 'Las dos Hermanas,' found
also in Portuguese, in which the queen of a Moor or Turk discovers her
sister in a slave who has been presented to her, or captured at her
request.[81]
* * * * *
Translated after #A# by Schubart, p. 115; mainly after #E#, with
stanzas from #A# and #C#, by Grundtvig, Engelske og skotske Folkeviser,
No 28; after #E# by Wolff, Hausschatz, p. 209, Halle der Völker, I, 3;
after #D# by Gerhard, p. 77; by Knortz, L. u. R. Alt-Englands, No 3,
after Allingham.
* * * * *
Danish #F# by Jamieson, Popular Ballads, II, 103; by Prior, III, 300,
No 148. Dutch #A# by Prior, III, 484.
A
Minstrelsy of the Scottish Border, II, 102, 1802, chiefly
from the recitation of an old woman residing near
Kirkhill, in West Lothian.
1
'It's narrow, narrow, make your bed,
And learn to lie your lane;
For I'm ga'n oer the sea, Fair Annie,
A braw bride to bring hame.
Wi her I will get gowd and gear;
Wi you I neer got nane.
2
'But wha will bake my bridal bread,
Or brew my bridal ale?
And wha will welcome my brisk bride,
That I bring oer the dale?'
Public-domain text, read in full here on John Shaqi.
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