sheriff would now give a hundred pound not to have had his wish; had he known his man at Nottingham, it would have been a thousand year ere the potter had come to the forest. I know that well, says Robin, and therefore shall you leave your horse with us, and your other gear. Were it not for your wife you would not come off so lightly. The sheriff goes home afoot, but with a white palfrey, which Robin presents to his wife. Have you brought Robin home? asks the dame. Devil speed him, answers her spouse, he has taken everything from me; all but this fair palfrey, which he has sent to thee. The merry dame laughs, and swears that the pots have been well paid for. Robin asks the potter how much his pots were worth, gives him ten pounds instead of the two nobles for which they could have been sold, and a welcome to the wood whenever he shall come that way. The Play of Robin Hood, an imperfect copy of which is printed at the end of Copland’s and of White’s edition of The Gest, is founded on the ballads of Robin Hood and the Curtal Friar and of Robin Hood and the Potter. The portion which is based on the ballad of Robin and the Potter is given in an appendix. Robin Hood and the Butcher, No 122, repeats many of the incidents of the present ballad. The sheriff is enticed into the forest (by Little John instead of Robin Hood) in The Gest, 181 ff. This part of the story, in Robin Hood and the Butcher, is much more like that of The Gest than it is in Robin Hood and the Potter. We shall have only too many variations of the adventure in which Robin Hood unexpectedly meets his match in a hand-to-hand fight, now with a pinder, then with a tanner, tinker, shepherd, beggar, etc. His adversaries, after proving their mettle, are sometimes invited and induced to join his company: not so here. In some broadside ballads of this description, with an extravagance common enough in imitations, Robin Hood is very badly mauled, and made all but contemptible.[97] In Robin Hood and the Potter, Little John is willing to wager on the result of a trial, from his own experience. Will Scadlock is equally confident in Robin Hood and the Curtal Friar, perhaps for the same reason, although this is not said. In Robin Hood and the Shepherd, Little John takes his turn _after_ his master, and so with three of Robin’s men in Robin Hood and the Beggar, No 133.