The story seems to have been built up on a portion of the ruins, so to speak, of the fine tale of Gamelyn. There the king of the outlaws, sitting at meat with his seven score young men, sees Gamelyn wandering in the wood with Adam, and tells some of his young men to fetch them in. Seven start up to execute the order, and when they come to Gamelyn and his comrade bid the twain hand over their bows and arrows. Gamelyn replies, Not though ye fetch five men, and so be twelve; but no violence being attempted, the pair go to the king, who asks them what they seek in the woods. Gamelyn answers, No harm; but to shoot a deer, if we meet one, like hungry men. The king gives them to eat and drink of the best, and, upon learning that the spokesman is Gamelyn, makes him master, under himself, over all the outlaws. Little John having long had the place of first man under Robin, the best that the ballad-maker could do for Gamwell was to make him chief yeoman after John.[109] (The Tale of Gamelyn, ed. Skeat, vv 625–686. The resemblance of the ballad is remarked upon at p. x.) Ritson gives this ballad the title of Robin Hood and the Stranger, remarking: The title now given to this ballad is that which it seems to have originally borne; having been foolishly altered to Robin Hood newly Revived. R. H. and the Bishop, R. H. and the Beggar, R. H. and the Tanner, are directed to be sung to the tune of Robin Hood and the Stranger, but no ballad bears such a title in any garland or broadside.[110] The ballad referred to as Robin Hood and the Stranger may possibly have been this, but, for reasons given at p. 133, Robin Hood and Little John is, as I think, more likely to be the one meant. Robin Hood and the Stranger was one name for the most popular of Robin Hood tunes, and this particular tune was sometimes called ‘Robin Hood’ absolutely (see the note at the end of the next ballad). If the ballad denoted by Robin Hood and the Stranger was also sometimes known as ‘Robin Hood’ simply, and especially if this ballad was Robin Hood and Little John, an explanation presents itself of the title ‘Robin Hood newly Revived.’ What is revived is the favorite topic of the process by which Robin Hood enlarged and strengthened his company. The earlier ballad had shown how Little John came to join the band; the second undertakes to tell us how Scarlet was enlisted, the next most important man after John. The second part, referred to in the last stanza, was separated, Mr Chappell thought, when the present ballad was “newly revived,” because the whole was found too long for a penny (one would say that both parts together were “dear enough a leek”), and seven stanzas (incoherent in themselves and not cohering with what lies before us) added to fill up the sheet. These stanzas will be given under No 130, as Robin Hood and the Scotchman; and the “second part,” ‘R. H. and the Prince of Aragon,’ or ‘R. H., Will. Scadlock and Little John,’ follows immediately.