The English and Scottish popular ballads, volume 3 (of 5)
General
The English and Scottish popular ballads, volume 3 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
“Cairns on Blackdown in Somersetshire, and barrows near to Whitby in
Yorkshire and Ludlow in Shropshire, are termed Robin Hood’s pricks or
butts; lofty natural eminences in Gloucestershire and Derbyshire are
Robin Hood’s hills; a huge rock near Matlock is Robin Hood’s Tor; an
ancient boundary stone in Lincolnshire is Robin Hood’s cross; a presumed
loggan, or rocking-stone, in Yorkshire is Robin Hood’s penny-stone; a
fountain near Nottingham, another between Doncaster and Wakefield, and
one in Lancashire are Robin Hood’s wells; a cave in Nottinghamshire is
his stable; a rude natural rock in Hope Dale is his chair; a chasm at
Chatsworth is his leap; Blackstone Edge, in Lancashire, is his bed;
ancient oaks, in various parts of the country, are his trees.”[59] All
sorts of traditions are fitted to the localities where they are known.
It would be an exception to ordinary rules if we did not find Robin Hood
trees and Robin Hood wells and Robin Hood hills. But, says Wright, in
his essay on the Robin Hood ballads (p. 208), the connection of Robin
Hood’s name with mounds and stones is perhaps one of the strongest
proofs of his mythic character, as if Robin Hood were conceived of as a
giant. The fact in question is rather a proof that those names were
conferred at a time when the real character of Robin Hood was dimly
remembered. In the oldest ballads Robin Hood is simply a stout yeoman,
one of the best that ever bare bow; in the later ballads he is
repeatedly foiled in contests with shepherds and beggars. Is it
supposable that those who knew of him even at his best estate, could
give him a loggan for a penny-stone? No one has as yet undertaken to
prove that the ballads are later than the names.[60] Mounds and stones
bear his name for the same idle reason that “so many others have that of
King Arthur, King John, and, for want of a better, that of the
devil.”[61]
Public-domain text, read in full here on John Shaqi.
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