The English and Scottish popular ballads, volume 5 (of 5)
General
The English and Scottish popular ballads, volume 5 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
all (of forty, =B=), is willing to stead her mistress in this strait,
=A-C=. In =D-G=, =I=, =J=, there is but one nurse or servant, and she
assents, or follows her mistress’s directions as a matter of course.
The servant is to have the king’s present in =D=. The substitute is
elaborately combed and dressed, with a gold band round her hair, and
a beautiful ring on her finger. At midnight, or before dawn, the king
cuts off the finger that has the ring, =A=, =I=, her finger, =B=, =F=,
=G=, =H= (fingers, =B=, v. 43), little finger, =D=, =E=; takes the ring
from her finger, =C=, all the rings from her fingers, =J=. He also cuts
off her hair (braid), with its golden band, =B= (braids, v. 43), =C=,
=I=, her hair (braid), with the golden flowers, =A=, with the pearl,
=H=, right braid, =D=, braid, =F=, =G=, =I=, extremity of her braid,
=E=. These are to serve as tokens; he puts them in his handkerchief,
=A=, =D=. He takes his trophies to the assembly. Maurianos has lost
his wager, and is to be hanged. Where is Maurianos, the braggart, and
where his precious sister, whom no gifts could seduce? Word comes to
the sister. She dresses herself beautifully, and makes her way into the
assembly; she would fain know why they are to hang Maurianos. ‘I have
seduced his sister,’ says the king, ‘and I will hang Maurianos.’ The
girl demands tokens. ‘I cut off her finger, with the golden sapphire;
I cut off her hair, with the golden flowers (band).’ She extends her
hand; the earth is filled with sapphires. ‘See, lords! are fingers
of mine wanting?’ She flings out her hair; the earth is filled with
flowers. ‘See, lords! is a braid of mine wanting?’ (=A=, =B=, and the
rest to the same effect.) Then she turns to the king. ‘It fits you no
more to play the king,’ =A=, =B=. ‘You have slept with my slave, and
my slave you shall be,’ =C-I=. ‘Take my mule and go fetch wood.’ In
=A=, =B=, the king has to marry Maria. In =F=, John becomes king (as a
consequence of winning the wager). In =I=, the people depose the king
and make Maurianos’s sister queen.
There are numerous tales in which a man wagers heavily upon a woman’s
(generally his wife’s) constancy, and, upon plausible evidence, which
in the end proves to be nugatory, is adjudged to have lost.[23] We are
concerned only with a small section of these stories, characterized
by the circumstances that the woman whose virtue is questioned puts
another woman in her place in the encounter with the assailant, and
that the proofs of success offered are a finger, finger-ring, and head,
or braid, of hair[24] (one of these, or more).
Public-domain text, read in full here on John Shaqi.
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