The English and Scottish popular ballads, volume 5 (of 5)
General
The English and Scottish popular ballads, volume 5 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
=Romaic.= =A.= Νεοελληνικὰ’ Ανάλεκτα, I, 80, No 16, 75 vv., Melos.
=B.= ‘Τὸ στοίχημα τοῦ βασιλιᾶ καὶ τοῦ Μαυριανοῦ,’ Jeannaraki, p. 231,
No 294, 76 vv., Crete. =C.= ‘Ὁ Μαυριανὸς καὶ ὁ βασιλεύς,’ Zampelios,
p. 719, No 6, 61 vv., Corcyra (?); repeated in Passow, p. 355, No 474,
Kind’s Anthologie, p. 56. =D.= ‘Τοῦ Μαυριανοπούλου,’ Manousos, II, 56,
51 vv., Corcyra (?). =E.= ‘Ὁ Μαυριανὸς κ’ ὁ βασιλεᾶς,’ Pappadopoulos
in Πανδώρα, XV, 417, 23 vv., Cargese, Corsica; repeated in Legrand,
p. 302, No 136. =F.= Δελτίον τῆς ἱστορικῆς καὶ ἐθνολογικῆς ἑταιρίας
τής Ἑλλάδος, I, 551, No 5, 35 vv., Peloponnesus. =G.= ‘Ὁ Σταυριανὸς
καὶ ὁ βασιλιᾶς,’ Melandrakes, in the same, III, 345, 54 vv., Patmos.
=H.= ‘Τὸ Στοίχημα,’ Kanellakes, Χιακά ἀλάεκτα, p. 8, No 5, 50 vv.,
Chios. =I a.= Bartholdy, Bruchstücke zur nähern Kenntniss des heutigen
Griechenlands, 1805, p. 434, 78 vv., translation without text. =b.=
‘Maurogène,’ Lemercier, I, 167, translation without text, neighborhood
of Arta. =J.= ‘Στοίχημα Διονῦ καὶ Χαντσαρλῆ,’ Chasiotes, p. 142, No 14,
26 vv., Epirus.
The personages are Μαυριανός, =B-E=, Μαυγιανός, =A=, Mavrogeni, =I=,
Σταυριανός, =G=, Γιάννος, =F=, Κωσταντῆς, =H=; his sister, =A-I=,
Αρετή;, =D=, Μάρω, =F=, Λιερή, =G=, and in =I b= (unless the name is
supplied by the editor), Cymodore; a king, anonymous except in =J=,
Διονύς, in which also the other two parties are husband (ὁ χαντσιαρλῆς,
the chancellor) and wife.
At the king’s table there is talk of women fair or foul. Maurianos
extols his sister (the chancellor his wife, =I=), whom gifts cannot
seduce. What shall be your forfeit, asks the king, if I seduce her?
Maurianos stakes his head, =A-I=, and the girl is to be the king’s
slave, =H=; the king, his kingdom and crown, =A=, =B=, his property,
=C=, =F=. There is a mutual wager of nine towers of silver, =J=. The
young man is to be a prisoner till the morning, =I=. The king begins,
in =A=, =B=, by engaging the services of witches eighteen, witches
fifteen, or bawds eighteen, witches fifteen. They ply their magic early
and late: forty days to get up her stair, other four-and-forty to get
sight of the girl, =A=. They address her with flatteries, but are
rebuffed, =A=, =B=. The king sends rich presents, =A=, =C-I=; beasts
laden with silver and money, nine, twelve, twenty and again ten. The
girl receives them with professions of pleasure; her brother will
return the compliment to the giver. It is explained that no return is
looked for; the presents are from the king, who desires to pass the
night with her. (In =J= the king goes straight to the wife, and says
that he has her husband’s permission.) The lady affects to put herself
at the king’s disposition. She appeals to her maid-servants, =A=, =B=;
first her “nurses,” then her maids, =C=; one servant, and then another,
=H=. Which of them will enable her to keep her word, change clothes
with her, and pass the night with the king? Only Maria, the youngest of
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