[20] In the collection at the Royal Institute of British Architects. [21] See Appendix II. [22] See p. 69. [23] “London Past and Present,” by Wheatley and Cunningham. [24] Peter Cunningham’s “Life,” where it is stated that the register of St Bennet’s records his burial on the 26th June. [25] Peter Cunningham’s “Inigo Jones,” p. 39. [26] John Aubrey’s “Brief Lives,” ed. by Andrew Clark. Oxford, 1898, vol. ii. 10. [27] One of this series is illustrated in Fig. 39. [28] Those who desire to pursue the subject more fully are referred to two papers by the author--“The Burlington-Devonshire Drawings,” in the _Journal of the Royal Institute of British Architects_, Third Series, vol. xviii., No. 10, and “The Original Drawings for the Palace at Whitehall, attributed to Inigo Jones,” _Architectural Review_, June 1912. [29] “State Papers, Domestic: Charles II.,” vol. v., Nos. 74, 74, I. [30] It is the version published by Kent which is here dealt with, as being the best known. [31] In an article by Mr. W. Grant Keith, published in the _Burlington Magazine_ of January 1913, are given some reproductions of half a dozen drawings by Inigo Jones, which are among the most carefully finished specimens of his handiwork that survive. They include a ceiling for Wilton, 1649, and some decorative work at Oatlands Palace in Surrey. [32] Mostly preserved at Chatsworth; there are also a few at the British Museum. [33] It has not been found possible to illustrate this scene, as was intended, owing to the war having rendered the drawings at Chatsworth inaccessible for the time being. [34] “Cal. State Papers, Domestic,” xcv. 12. [35] Horace Walpole’s “Anecdotes of Painting.” [36] See the article on the Burlington-Devonshire Drawings in the _Journal of the Royal Institute of British Architects_, Third Series, vol. xviii., No. 10. [37] Vol. vi. p. 129, printed in full in Peter Cunningham’s “Life of Inigo Jones,” p. 48. [38] “The Designs for the First Movable Scenery on the English Public Stage,” by William Grant Keith, in _The Burlington Magazine_, Nos. cxxxiii. and cxxxiv., April and May 1914, where reproductions of Webb’s drawings are given. [39] “Thorpe Hall,” by A. W. Hakewill, 1852. [40] Neal, in his “Seats,” says it was designed by Webb; and although he quotes no authority he must have had some reason for the statement. [41] Willis and Clarke’s “Architectural History of the University of Cambridge,” ii. 366. [42] “The Old Colleges of Oxford,” by Aymer Vallance, p. 62. [43] Illustrated in “Early Renaissance Architecture in England,” by the present author (Batsford). [44] “Ashburnham House and the Precincts of Westminster Abbey,” by Harry Sirr, _Journal of the R.I.B.A._, 8th January 1910. [45] “Windsor Castle,” by Sir W. H. St John Hope, p. 329. [46] It was perhaps Pierre le Muet whose work most influenced Wren. [47] “Lives of the British Architects,” by E. Beresford Chancellor, p. 79. [48] Walpole’s “Anecdotes of Painting.”